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» Active Tonearm Monitorin»
» The Rafael Kubelík'»
» DAW drives configuration»
» Passive transformer base»
» Midbass Horns and Real E»
» Smyth Research Realiser »
» The single-ended pretens»
» The power AC Outlets?
» The New sound of London »
» About EAR 834P Modificat»
» The DSET perspective exa»
» Tchaikovsky's Nutcracker»
» The remarkable moments i»
» Small SET’s bass, beside»
» Flac 16bit/48Khz streami»
» Marantz MA-9S2 Monoblock»
» VTL TL-7.5 Reference: Hi»
» The Jeff Day’s Westminst»
» Winter storm & Casals
» Every crowd has a silver»
» Analog vs. Digital... wi»
» Playlists and patience
» Better chassis design fo»
» Attempt of a playback sy»
» Ca(r)t before the horse:»
» An interesting TT link: »
» Macondo’s MiniMe or abou»
» High Pass Inductors
» New audiophile download »
» The Second stereo arm pr»
» Japanese Super High Mate»
» Constructing LF modules »
» MF on AF2, and (perhaps)»
» The wonder of Ayre Acous»
» Amplification and Consci»
» Bad orchestras shell not»
» Measuring reality: empir»
» Some thoughts about Milq»
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Lenard's Opals monitor
Classical Composers
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Input Choke & Resonant C»
Instant Encore
Ward Marston's "Marston"»
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Carlos Kleiber List
Direct Drive TT
Former Sirkorski Site
Wiener Philharmoniker Di»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
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Electro-Voice T350 twee»
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Micro Seiki RX-5000
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Korvet “Egg” Tonearm
Rohde & Schwarz MSDC Mu»
CEC TL-0 MK2 transport
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