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» Audio and Music: four le»
» A tube tuner? REL Preced»
» Big room vs small room
» Tubas and Mc-step
» The Andrew Rose’s “Prist»
» Analog is Back 2011: Wav»
» The Patrick Flanagan’s N»
» The most ridicules symph»
» Berlioz Requiem / Pavaro»
» The funny Internet audio»
» Overlooked Cello Reperto»
» Tube outputted CDP's and»
» Moscode, Morecode, Moron»
» Juana Zayas plays Chopin
» Magico: biological minde»
» The idiotism of Audio Sy»
» About Omnivorenes of Pla»
» Do not “compare” audio e»
» Wharfedale Super 12/RS/D»
» About Moronism in Audio
» June in Boston with Earl»
» Archimago's Musings talk»
» Hungarian folded horn
» Playback as an expressiv»
» How does it sound?
» How to run MM-type cartr»
» Steve Leung, Cartridge W»
» Multicellular horns
» Chesky's violin concerto
» Acoustic Treatments That»
» Mstislav Rostropovich Di»
» MBS Platinum ADC
» Training amplifiers
» The tapped horns: cons, »
» An objective tool to tra»
» Mozart: "Cosi Fun T»
» Boxed in horns
» 2+3 surround sound??
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Decca Classical discogra»
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George Szell discography
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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