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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» I need a “second-type” p»
» Bach by Ormandy’s Philad»
» Nothing Is Perfect
» Label or map it religiou»
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» Tuners and digital noise»
» Building a new music room
» The sound compromises of»
» The wonderful Alisa Weil»
» Micro Seiki SX777 Air Re»
» Wasted Time and "be»
» Berkeley Audio Design's »
» The Truly High-End Ampli»
» The Kato-san's Goto »
» Mozart, Piano Concerto i»
» Windows Based Transport:»
» The corrupted listening »
» Gospel, pop, jazz and co»
» Does horn surface porosi»
» Submerging deeper into A»
» Audio Tekne driver align»
» BBC broadcasting radio e»
» Where high-end audio sta»
» About DSET-driven multi-»
» Etheraudio's some BS….
» Rohde & Schwarz EU-6»
» Learn to differentiate b»
» Reading an official audi»
» Bose audio and industry »
Bookmarked are red
Boom's Dungeon
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Russian Records
Hermann Scherchen discog»
Russian Music in 20th Ce»
The Leonard Cohen Files
Joachim Raff Society
Solid State Electronics
Vintage Audio Trader
Linkwitz's "Laboratory"
Seen and Heard
ClassicalNet
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2019
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