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 » 11 March How Do You Win That Orchestra Spot? Get In The Minivan
 » 11 March Music review: Stage brims with Koh's vitality
 » 11 March S.F. Symphony contrabassoonist gets down
 » 11 March Roman Functionaries Stop Concert Because It Was Closing Time
 » 10 March Music review: Stage brims with Koh's vitality
 » 10 March A 'Myth' that's hard to grasp
 » 10 March S.F. Symphony contrabassoonist gets down
 » 10 March Back In Samuel Barber's Day, He Was No Critics' Favorite
 » 10 March For City Opera, 2010-11 To Be Another Slender Season
 » 10 March Reconsidering Classical Music's No Applause Rule
 » 9 March Bantry House
 » 9 March Strolling Through Castles and Labyrinths
 » 9 March For New York City Opera Season, Bernstein, Strauss and New Works
 » 9 March Cellist Natalie Clein takes part in Back to School scheme
 » 9 March Music review: 'Pandaemonium' at Other Minds
 » 9 March Violinist Struggles To Regain Use Of Hands Crushed In Haiti Earthquake
 » 9 March Why 'Nixon In China' Is No 'CNN Opera'
 » 9 March The Next Dudamel? Gustav Mahler Conducting Competition Crowns Third Winner
 » 8 March LA Opera
 » 8 March Sorabji world première
 » 8 March Morgenstern Trio
 » 8 March Plácido Domingo
 » 8 March The Long and Short of Shostakovich, and Jazzy Ravel
 » 8 March Muscular Renditions of Bach, Schubert and Debussy
 » 8 March Violist Tasmin Little is impressive at Benaroya Hall
 » 8 March 'Broadway' is all pleasure
 » 8 March Music review: 'Pandaemonium' at Other Minds
 » 8 March Thomas Adès - Violin Concerto & Tevot (feat. violin: Anthony Marwood; feat. orch: Chamber Orchestra of Europe, National Youth Orchestra of Great Britain, Berliner Philharmoniker)
 » 8 March Struggling Artists
 » 8 March This Music Brought To You By...
 » 8 March Change Canada's National Anthem? Naw...
 » 8 March Record audiences for English National Ballet as the company turns 60
 » 8 March Attendants Chase Concert Out Of Rome's Pantheon
 » 7 March Praise of Mary at Eventide Resounds Across 400 Years
 » 7 March Puppetry adds an artistic edge to the debut of Pacific Operaworks
 » 7 March Robin Li Laing
 » 7 March 12 Ideas How To Change The Classical Music Experience
 » 7 March Are Tribute Bands A Better Deal Than The Real Thing?
 » 7 March The Instruments Making Notes You've Never Heard Of
 » 7 March Scientist: Research Shows Music Can Make You Violent
 » 7 March CD: Dvorak, Requiem
 » 7 March Various Artists - Songs By Schubert, Wolf, Fauré and Ravel
 » 7 March Jakub Jan Ryba - Czech Christmas Mass, 3 Pastorellas (feat. vocal: Magdalena Kozená; orch: Capella Regia Musicalis)
 » 7 March Patricia Travers, Violinist Who Vanished, Dies at 82
 » 6 March Music review: Symphony premieres musical essay
 » 6 March An Adagio for Strings, and for the Ages
 » 6 March Music review: Symphony premieres musical essay
 » 5 March Seldom-Heard Symphony Resurfaces as a Novelty
 » 5 March Cello and toy piano join forces for musical education
 » 5 March CD: Dvorak, Requiem
 » 5 March Columbus Symphony Musicians Take Pay Cut; Orchestra Will Combine Admin With Another Org
 » 5 March School Uses Classical Music To Punish Students
 » 5 March Giuseppe Verdi - Messa da Requiem
 » 5 March Georg Friedrich Händel - Organ Concertos Op.7
 » 5 March John Adams - Nixon in China
 » 5 March Benjamin Britten - Before Life and After
 » 5 March Baltimore SO Spends March At The Circus
 » 5 March The Godmother Of Western Opera In China
 » 4 March Classical and Opera Listings
 » 4 March City of London Choir raises funds for Alzheimer?s Research Trust
 » 4 March An Evening of Brahms Becomes a Memorial
 » 4 March At Ease in T-Shirts or Suits, and With the Medieval or Modern
 » 4 March Google celebrates Vivaldi
 » 4 March Music and Dance Scheme continues to nurture young talent
 » 4 March Presented By:
 » 4 March Other Minds Festival: Lisa Bielawa
 » 4 March Bigger Than A Bivouac: Getting War And Peace Onto An Opera Stage
 » 4 March Moscow State Radio Symphony Does Bus-And-Truck Tour Of US
 » 3 March Russian Orchestra Tour: Either on the Bus or on the Stage
 » 3 March Other Minds Festival: Lisa Bielawa
 » 3 March Contenders for UK City of Culture 2013 named
 » 3 March Esa-Pekka Salonen Composition Honors Late Trombonist
 » 3 March On Historic Pianos, Channeling The Great Composers
 » 3 March For Chopin's 200th, A Museum Of His Very Own
 » 3 March Fancy spending 30 weeks at 30 festivals?
 » 3 March Conservatory Students May Be Turning To Beta Blockers
 » 3 March San Francisco Opera Hungrily Eyes A Parking Lot
 » 3 March RNCM announce second James Mottram International Piano Competition
 » 3 March Attention Huddersfield! Five-day programme of free concerts begins today
 » 2 March George Gershwin - Porgy and Bess (feat. con: Nikolaus Harnoncourt)
 » 2 March Franz Schubert - Heliopolis (feat. piano: Ingo Metzmacher; bar: Matthias Goerne)
 » 2 March Arnold Schönberg - Gurrelieder (Philharmonia Orchestra, feat: cond. Esa-Pekka Salonen)
 » 2 March Vera Trifanova
 » 2 March Henri-Joseph Rigel
 » 2 March M&V for March
 » 2 March Cirencester's new festival
 » 2 March Government to help young people gain creative jobs
 » 2 March San Carlo opera house in Naples set to re-open
 » 2 March Hurtling Through Beethoven, With Grace
 » 2 March Beethoven That Is Robust, if a Little Strange
 » 2 March Singing the Romance in the Russian Soul
 » 2 March 3 Players Make Odd Pairing Singular
 » 2 March Symphonic Drama: Rage-Filled Reunion for Slave and His Sister
 » 2 March A Conductor and a Violinist Turn Fresh Eyes on a Beloved Beethoven and a Brahms
 » 2 March On Tinkering With The Classical Status Quo
 » 2 March The John Kerr Award for English Song: apply now!
 » 2 March Wainwright?s opera Prima Donna to receive London premiere
 » 2 March San Francisco Symphony announces 2010-11 season
 » 2 March Music review: Bohlin sculpts pure, buoyant show
 » 2 March Bernard Coutaz, Founder of Classical Music Label, Dies at 87
 » 2 March Music Helps People To Heal -- But How?
 » 2 March It's Making Music, Not Listening, That Hones The Brain
 » 1 March Keiser plays Locklair
 » 1 March Bernard Coutaz
 » 1 March San Francisco Symphony announces 2010-11 season
 » 1 March Music review: Bohlin sculpts pure, buoyant show
 » 1 March Schumann’s Poetic Side, Poured Richly Into Songs
 » 1 March Chicago Symphony Begins Muti Era
 » 1 March Music Review: 'Suite Afro-Cubano'
 » 1 March Dallas Opera's Limited Season
 » 28 February Sharing Affinity for Haydn
 » 28 February Loosening the Reins on Composers After Stalin
 » 28 February Philharmonic in Red, White and Blue? Not Quite Yet
 » 28 February Music Review: 'Suite Afro-Cubano'
 » 28 February How Kronos Reinvented String Quartets
 » 28 February Music's Osvaldo Golijov Phenomenon
 » 28 February Philadelphia Orchestra Musicians Make Contract Concessions
 » 28 February Secrets Of A Small Opera Company's Success
 » 28 February CD: Trio Wanderer, 'Faur? Piano Quartets'
 » 28 February What We Owe Leonard Bernstein
 » 27 February Sharing a Sixth Sense in Musical Collaboration
 » 27 February David Soyer, Cellist, Is Dead at 87
 » 27 February Essential Recordings by the Kronos Quartet
 » 27 February The String Quartet, Reinvented
 » 26 February harmonia mundi
 » 26 February Allan Wicks
 » 26 February Henry Du Mont
 » 26 February ‘Once Upon a Time,’ as Told by 2 Composers
 » 26 February CD: Trio Wanderer, 'Faur? Piano Quartets'
 » 26 February The Touring Musician: Avoiding Jet Lag And Other Traps
 » 26 February Digital Music Sales Rise, But Market Seems To Be Shrinking
 » 26 February The Knife - Tomorrow, In a Year
 » 26 February Music review: San Francisco Symphony
 » 26 February Why Do Audiences Hate Modernist Music? Their Brains Literally Can't Cope
 » 26 February Music review: San Francisco Symphony
 » 25 February The Elgar Society offers free membership to museum visitors
 » 25 February Writer Tries To Understand Composers -- By Becoming One
 » 25 February Mourning The Loss Of The Contralto
 » 25 February Chavez collaboration
 » 25 February National Medal of Arts for Symphony's Thomas
 » 25 February Renee Fleming Sings Death Cab For Cutie
 » 25 February More Conductor-Orchestra Strife In France, This Time In Lyon
 » 25 February Berlin Phil To Salzburg: Clean Up The Easter Fest Or Else
 » 24 February Shakespeare’s Lovers via Berlioz, via Russia
 » 24 February Is Lorin Maazel The Munich Phil's Next Music Director?
 » 24 February Why Jake Heggie Likes 'Moby-Dick' As An Opera Subject
 » 24 February Eschenbach Calls PhilOrch Management Incompetents And Liars
 » 24 February Royal Liverpool Phil Looks To Build Second Hall
 » 23 February New Look at Bach, 21st-Century Composer
 » 23 February Presenting a Shiny Gem in an Unusual Setting
 » 23 February Giovanni Battista Pergolesi - Missa S. Emidio (feat. cond.: Claudio Abbado, orch.: Orchestra Mozart)
 » 23 February Rolando Villazón - Tenor
 » 23 February Garsington Opera is on the move!
 » 23 February Metropolitan Opera Hikes Its Ticket Prices
 » 22 February A Revolutionary Returns, Embracing Subtle Change
 » 22 February Manchester Camerata offers bargainous tickets to students
 » 22 February Musical instruments collection at the Victoria and Albert museum set to close
 » 22 February Manfred Honeck, The St. Francis Of Conductors
 » 22 February The Root Of The Philadelphia Orchestra's Problems? Hearts And Minds
 » 21 February A Fresh Look at a Familiar Violin Concerto
 » 21 February Domingo Insists (Again) That He's Not Too Busy To Run His Opera Companies
 » 21 February EMI Says Abbey Road Studios Is Not For Sale
 » 21 February Andrew Lloyd Webber To Buy Abbey Road Studios?
 » 21 February Who Says Chopin Isn't Butch Enough?
 » 21 February CD Reviews / Tchaikovsky/Prokofiev
 » 20 February Music review: Cellist Joshua Roman at Symphony
 » 20 February A Conductor Whose Worship Stands Apart
 » 19 February Music review: Cellist Joshua Roman at Symphony
 » 19 February CD Reviews / Tchaikovsky/Prokofiev
 » 19 February London Chamber Orchestra's LCO New: Explore 'Inspired by Architecture' to showcase student compositions
 » 19 February Musicians Drive Emmanuelle Haim From Paris Opera Podium
 » 18 February Nils Frahm - The Bells
 » 18 February A Dutch Orchestra Plumbing the Depths
 » 18 February Youthful Intensity, Onstage and in the Program
 » 18 February Classical Music/Opera Listings
 » 18 February The Curious Dullness Of Season Announcements
 » 18 February The Enduring Greatness Of Django Reinhardt
 » 18 February 'Anna Karenina' to open Opera San Jose season
 » 18 February At Last, Opera Grand Rapids Moves Into Its Own Home
 » 18 February The Dutoits (Maestro & Mrs.) To Depart Saratoga PAC
 » 17 February Bernstein on the Mystery Behind the Music
 » 17 February 'Anna Karenina' to open Opera San Jose season
 » 17 February Conducting prizes
 » 17 February That'd Be A Great Name For A Band. Oh, Wait, It Already Is.
 » 17 February Parsing The NY Phil And LA Phil's Upcoming Seasons
 » 17 February Sue Perkins shows her mettle in new BBC Two series Band for Britain
 » 17 February Various Artists - Turbulent Heart: Music of Vierne and Chausson
 » 17 February Frédéric Chopin - Chopin: Cello Music
 » 17 February Changes afoot for the 2011 International Tchaikovsky Competition
 » 17 February New works on tap for Berkeley Symphony
 » 17 February Is The NY Phil Cribbing From The LA Phil?
 » 17 February Cut Back On Programming? Not The LA Phil
 » 16 February Presented By:
 » 16 February New works on tap for Berkeley Symphony
 » 16 February From Finland, Northern Lights and a Clarinet
 » 16 February Philharmonic Offers Plans and Weighs Renovation
 » 16 February Bartok and Ravel, Ohio Style
 » 16 February Various Artists - Violin Concerto / Humoresques - Violin Concerto No. 1 (feat. violin Vilde Frang, cond. Thomas Sondergard, orch. WDR Sinfonieorchester)
 » 16 February Various Artists - Variations on a Rococo Theme in A Major - Sinfonia Concertante for Cello and Orchestra in E Minor (feat. cond. Valery Gergiev, cello Gautier Capucon, orch. Orchestra of the Mariinsky Theatre)
 » 16 February Sir Edward Elgar - Violin Concerto (feat. violin Nikolaj Znaider, cond. Sir Colin Davis, orch. Staatskapelle Dresden)
 » 16 February In Florida, Detroit Symphony Gains Ground, Turns A Profit
 » 16 February San Antonio Symphony Appoints New Music Director
 » 16 February Georg Friedrich Händel - Italian Cantatas Volume 6 - Olinto pastore (feat. cond. Fabio Bonizzoni, orch. La Risonanza)
 » 16 February Memphis Symphony Names Mei-Ann Chen Music Director
 » 16 February Opera meets soap opera in online experiment
 » 16 February Robert Schumann - Szenen aus Goethes Faust (feat. conductor: Nikolaus Harnoncourt; feat. orchestra: Royal Concertgebouw Orchestra)
 » 16 February Jean Sibelius - Symphonies Nos. 1-7; Kullervo (feat. conductor: Sir Colin Davis; feat. orchestra: London Symphony Orchestra)
 » 16 February Johann Sebastian Bach - Partitas 1, 5 & 6 (feat. pianist: Murray Perahia)
 » 16 February Plucked from Nowhere
 » 16 February Classic FM Gramophone Awards
 » 16 February Tak?cs Quartet presents a spirited performance
 » 16 February Philharmonia Baroque's vivid love note to Brahms
 » 16 February Maria Callas' Exhilarating, Famously Flawed Voice
 » 15 February On DVD, Watching Leonard Bernstein Craft His Persona
 » 15 February Royal Opera House to dedicate a day to troops
 » 15 February Tak?cs Quartet presents a spirited performance
 » 15 February Philharmonia Baroque's vivid love note to Brahms
 » 15 February Music review: Berkeley Symphony
 » 15 February Pub opera extends its season due to overwhelming demand
 » 15 February Alex Prior appointed Assistant to Guest Conductors with Seattle Symphony
 » 15 February Music review: Berkeley Symphony
 » 15 February To Preserve Native Culture - Use Music
 » 15 February Why Is Figure Skating Music So Bad?
 » 15 February Classical Music - No Genre's The New Genre
 » 14 February Five Musicians on Nine Instruments in New Carter Woodwind Score
 » 14 February Many-Splendored Clarinet Gets Acrobatic Workout
 » 14 February Beethoven, a Refined Classicist of Vienna
 » 14 February Mozart Served Up With Tasty Sides Dishes From All Over
 » 14 February Where Music Fits In Life
 » 14 February Why Did Google Delete Music Blogs?
 » 14 February CD: Heinrich von Herzogenberg, String Quartet
 » 13 February Dogma No More: Anything Goes
 » 12 February Muhly and Lucas’s Opera First Met-Lincoln Center Project
 » 12 February CD: Heinrich von Herzogenberg, String Quartet
 » 12 February Leonard Slatkin Signs 2-Year Extension In Detroit
 » 12 February Music review: Barantschik in Walton concerto
 » 12 February Date Lines: News From the Bay Area Arts Scene
 » 12 February Whatever Happened To Riot Grrrls?
 » 12 February Real Stage Animals, Training For The Opera
 » 12 February Borletti-Buitoni Trust award winners for 2010 announced
 » 12 February Intended version of Prokofiev opera to receive long-awaited world premiere
 » 11 February A Snowy Celebration of Schumann and Chopin
 » 11 February Classical Music/Opera Listings
 » 11 February Finding Emotions Stark and Intimate in Works New and Familiar
 » 11 February An Evening of Anguish, Control and Radiance
 » 11 February Music review: Barantschik in Walton concerto
 » 11 February Date Lines: News From the Bay Area Arts Scene
 » 11 February Cut Off From Cuban Music, Americans Are Missing Out
 » 11 February Google Yanks Music Blogs, Citing Copyright Violations
 » 11 February Foyles bookshop to host free lunchtime concerts
 » 11 February Management Confiscates Musicians' Instruments In Malaysian Orchestra Dispute
 » 11 February Hawaii Opera Theatre Celebrates 50 Years
 » 11 February Dallas Opera Lands $10M Challenge Grant
 » 10 February O Fortuna named ?most heard? classical track
 » 10 February When Songwriters Were Bitten With The Space-Travel Bug
 » 10 February Fidelity Donates $500,000 In Instruments For Students
 » 10 February Report: Peter Alward To Take Over Salzburg Easter Festival
 » 10 February Ravi Shankar Launches Record Label
 » 10 February The PhilOrch's New Marketing Slogan: 'Unexpect Yourself'
 » 10 February Philadelphia Orchestra's Latest Trouble: Weak Box Office
 » 10 February UK choirs receive ?200,000 as part of Choral Ambition project
 » 9 February Philadelphia Orchestra’s Ticket Sales Add to Woes
 » 9 February A Certain Uncertainty, With Lieder and Gospel
 » 9 February At Berklee, Prodigy With Autism Becomes Serious Musician
 » 9 February Sir Arthur Sullivan - Ivanhoe
 » 9 February Maestro Is Pittsburgh's Ambassador To Foreign Businesses
 » 9 February Long-Lost Prokofiev Music Gets New York Premiere
 » 8 February How Flexible Are You? This Bach’s a Good Test
 » 8 February Scandal, Embezzlement, Attempted Suicide Mar Salzburg Festival
 » 8 February Midori presents modern fare with moxie
 » 8 February Aspen Music Festival Cuts Season
 » 8 February London-based composer sought to help score musical
 » 8 February Bournemouth Symphony Orchestra hits the clubs
 » 7 February A Quartet Illuminates the Passion of Beethoven
 » 7 February Neo-Classical Stravinsky Joins Bachian Rhythms
 » 7 February Scrapping a Program, Breaking Into Solos
 » 7 February Midori presents modern fare with moxie
 » 7 February Metropolitan Opera Brings Back Its Former General Manager
 » 7 February Is There Any Such Thing As The Definitive Performance?
 » 7 February CD: Avner Dorman, Concertos
 » 6 February Composer’s Intent? Get Over It
 » 5 February CD: Avner Dorman, Concertos
 » 5 February What's The Point Of Music?
 » 5 February Red Bull Music Academy comes to London
 » 5 February Music review: A symphony of epic scale
 » 5 February Fabio Luisi Storms Away From Dresden Music Director Post
 » 5 February The Graph That Should Alarm Orchestra Administrators
 » 4 February Saxon State Opera’s Music Director Quits
 » 4 February Classical Music/Opera Listings
 » 4 February Music review: A symphony of epic scale
 » 4 February Mr. Haydn, if You Please, Come Meet Mr. Ellington
 » 4 February How To Entice Audiences To Adventurous Fare?
 » 4 February Digital Tools Make Listening An Interactive Experience
 » 4 February Cue The Costumer: What Musicians Wear Onstage Matters
 » 4 February Fiddle player Daniel Thorpe named Young Traditional Musician of the Year
 » 4 February Curtis students are impressive
 » 4 February Brandenburg concert is notable
 » 4 February When Marin Alsop Opened The Orchestra Up To Amateurs
 » 4 February What Alan Lomax Found When He Went To Haiti
 » 4 February Pianist Lang Lang signs to Sony Music
 » 4 February Iran's Hapless Musical Diplomacy (If That's The Right Word)
   
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