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End of Life Phonostage
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» A quest for a better mon»
» Clean and polish gunmeta»
» Munich High End 2010
» Claude Perrier and his t»
» Benjamin Britten’s Violi»
» Modifying TAD 2404
» Here's what's REALLY wro»
» RIAA pole two = 501,12 Hz
» Custom UPS.
» Eben X-3 loudspeakers -»
» What you folks got for B»
» Midbass Horns and Real E»
» Multiple EQ curves of A»
» Thoughts from Clark John»
» Super Melquiades, Macond»
» An interesting read abou»
» Trinnov amplitude and im»
» Expensive Audiophilism a»
» The most ridicules symph»
» How to make musicians to»
» The audiophile’s stupid »
» A new CES 2010 loudspeak»
» The best 20 hz bass horn
» K2HD -yet, another CD fo»
» I wish I could speak Ger»
» Time alignment of drivers
» Recording options: Pacif»
» Editing your own posts
» Walter conducting Vienna»
» Vitavox’s S2 Survival Gu»
» The Milq’s power supplie»
» The idiotism of Audio Sy»
» What lives in Symmetric »
» Another horn manufacturer
» The benefits of ultra hi»
» Vitavox S2 coupling
» Push pull compound compr»
» Ways to use audio method»
Bookmarked are red
Direct Drive TT
Boom's Dungeon
Find-a-Concert
Olson Acoustical Book
Truesound Transfers
Linkwitz's "Laboratory"
Delta Entertainment
Classical Music Network
Vintage EV speakers
Lenard's Opals monitor
Great Hong Kong Blog
Technical books online
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Gryphon Trio in Rock»
AUG 3 Chamber Music in Bru»
AUG 4 Chamber Music in Bru»
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Koetsu Onyx Platinum Ca»
Rohde & Schwarz MSDC Mu»
Ortofon Mono CG 25 Di c»
Purist Audio Design Pro»
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Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
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