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» Long time due: Digital P»
» Vitavox corner horn
» Holly Proscenium idiocy!
» Brahms Double Concerto
» Sansui AU-X1 bomb...
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» Easy Bruckner for Beginn»
» Furtwangler War Years Re»
» Playing bad recordings u»
» The DSET perspective exa»
» The ultimate buffer – li»
» The evenings with Greate»
» What constitutes a great»
» Single Ended Pentode to »
» Soprano Sally Matthews.
» Use absolute polarity as»
» Balanchine’s “Pathetique”
» Meitner Audio - Ed Meitn»
» A big subwoofer vs. an a»
» Micro Seiki MAX 282 Ques»
» Copland/BSO/Copland
» Berlioz Requiem / Pavaro»
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» Vitavox S2 driver made i»
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Tuners Stereo Surgeons
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WGBH's “Keeping Score”
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Perer Gulmann's Classica»
Michelangeli Site
Takashi Asahina Group
OperaGlass
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
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Micro Seiki RX-5000
CEC TL-0 MK2 transport
SME M2 - 12" Tonearm wi»
Vitavox 330Hz Horn for »
Vitavox AK151 15" bass »
Micro-Seiki Arm Board
Electro-Voice T350 twee»
Lamm ML-2 Single-Ended »
Vitavox S2 Compression »
Kenwood L-02T FM Tuner
Ortofon Mono CG 25 Di c»
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