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» In appreciation of Koshka
» The mystery of reversed »
» Pacific Microsonics Mode»
» Gould's Piano
» The beauty of Cannibalis»
» A response to David Hurv»
» Off-the-wall playback or»
» SS Amplification for Com»
» What, no Mahler?
» A subwoofer of death, no»
» Hiroyasu Kondo: “My thou»
» To Milq builders: correc»
» The Remote System Manage»
» French Horns/drivers sho»
» Education vs Magic
» The New York Philharmoni»
» A cutoff horn loudspeake»
» Recording/Playback softw»
» Don't evaluate audio by »
» Playback as an expressiv»
» Contact-free volume cont»
» High-End Audio "sec»
» Audio and Politic: a sol»
» MF on AF2, and (perhaps)»
» The Best Of Wiener Philh»
» Chopin's Waltzes, Witold»
» Ghorbani&Hamdani sin»
» Eat your heart out, Mr. »
» BSO and 192kps
» European Triode Festival»
» How to select mid/upper »
» GM70 vs. 6C33C
» “Tool” for Morons ™: Bla»
» The Kato-san's Goto »
» Sick CEC TL0
» Purist Audio Design vs. »
» Do not buy CDs mastered »
» More 6E5P-6C33C amps.
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Cedille Chicago
Good-Music-Guide
Russian Records
The Gustav Mahler Board
Decca Classical discogra»
Appian Publications & Re»
Value of Records Tool
Boom's Dungeon
George Szell discography
Tchaikovsky-Research.
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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