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» 100V vs 120V
» John Curl’s new phonosta»
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» Solid state revisited
» Trading cable elevators »
» 2010 Classical Grammy No»
» Holly Proscenium idiocy!
» DA architecture: True M»
» Any good sounding AES/EB»
» A datacenter at home and»
» The open project: a late»
» Do not buy CDs mastered »
» What is it all about? De»
» The cPlay software.
» DIY LCR phono
» Choice of Fireware Inter»
» Naked Sound and Whether.
» Stage Music: get clew.
» Verify that you sources »
» It is all about hard sur»
» Some Orchestra on Demand»
» Digital recorders: what »
» Boston Philharmonic Mahl»
» How to waste $25.000.00
» Bach's Cello Suites
» Bad orchestras shell not»
» The Best Of Wiener Philh»
» Fidelity Research FR-7
» Education vs Magic
» Lamm ML2.0 & Lamhorn»
» First Order on Bass chan»
» Tweeters: the most misus»
» Bartok piano works
» A turntable platter as a»
» SET and speakers: disreg»
» Midbass Horns and Real E»
» Koussevitsky and La Mer
» Maria by Callas
Bookmarked are red
Audiomisc
WGBH's “Keeping Score”
Classical Music Streams
Jong Woo's Site
The Music Parlour
Rottenburger Museen
OboinaThor
Tubecad publication
TubeTesters.info
The Gustav Mahler Board
Takashi Asahina Group
Altec divers/horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
APR 19 Cantus in Rockport o»
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LF Transformer for 6C33C
Vitavox S2/S3 diaphragms
Musatex’s Bidat Model "»
Tribute Output Amorphou»
Altec 808A compression »
Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
Micro Seiki RX-5000
Altec 515B bass drivers
“Tree Blind Mice” colle»
Lamm L2 Reference pream»
More Leftovers »»