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» About the undeveloped au»
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» Too damn loud?
» How does [Phaseplug Desi»
» Rubinstein at Carnegie H»
» It was seventy years ago»
» A fundamentally faulty J»
» The FM Stereo and Multi»
» Do not pursue full-range»
» Incorporating active cro»
» Rcf n850
» Bye-Bye, Fane
» The "non-winner&quo»
» First order filtration a»
» A speaker set with JBL 2»
» Single Driver speakers
» High-End Audio and ... c»
» VTL TL-7.5 Reference: Hi»
» About audio Crashes.
» What drives your musical»
» Yamaha 6681B
» Why second tonearm/cartr»
» Listening to Music with »
» How to start Classical M»
» Neat reminiscences from »
» The Foolishness of Analo»
» Some Orchestra on Demand»
» "New" TechDas »
» A “pocket version” of Br»
» Turntable Design
» Le C'leach horn rear cha»
» The “Melquiades” Sound -»
» More power from Melquiad»
» What drives good sound?
» What are the effects of »
» Has anyone ever seen the»
» Dynamic viscose stabiliz»
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Classic Records UK
Hub Arts
Pianist Yakov Kasman
Glenn Gould Audio Archiv»
Unofficial Vitavox Site
Decca Classical discogra»
Broadcast History
Electron Tube Data sheets
WGBH alumni
Tonal tests
Toccata Classics
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
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Vitavox S2/S3 diaphragms
Hillock TV-2 tube tester
CEC TL-0 MK2 transport
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
Pacific Microsonics Mod»
Musatex’s Bidat Model "»
Micro Seiki RX-5000
Electro-Voice T350 twee»
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