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» 47 Lab new turntable and»
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» Bartok piano works
» "Zaratustra II"»
» A Frankenstein Macondo -»
» Long Range Acoustic Devi»
» Natural Remedies for Sic»
» The Evolution of Honk.
» How would you handle it?
» Any good sounding AES/EB»
» How to test 6C33C?
» Bravo, Stereophile: Adve»
» AMR PH-77: just another »
» The "artificially&q»
» Prices in High-End Audio.
» Good midbass is complica»
» Micro RX 5000
» Better chassis design fo»
» To play my 88/24 files o»
» Wiener Philharmoniker r»
» Two channels (tweeter an»
» Chesky Records went &quo»
» The Evolution (or Anti-E»
» A discussion about the a»
» Eq for 78's
» Software for collection »
» Danley's optimised paral»
» SET and speakers: disreg»
» Next week in Metropolita»
» The Melquiades' "Re»
» Bermuda Triangles of Aud»
» About the thoughtfulness»
» Friedrich Kuhlau and his»
» Milq: Starting the proje»
» Eat your heart out, Mr. »
Bookmarked are red
The Opera Critic
The National Valve Museum
Audio Perfectionist
Japanese Translator
Tahra Records
ElecroVoice’s Vintage Pr»
Glenn Gould Audio Archiv»
Olson Acoustical Book
Holger Klein's Soundpage»
Conductor’s Corner
Musical Musings
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Musatex-TP Bidat 20-Bi»
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CEC TL-0 MK2 transport
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