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» More or less pleasure: w»
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» In interesting new compa»
» Why the tubes shall be t»
» Wharfedale Super 12/RS/D»
» The most appalling audio»
» Lamm hybrids: M1.2 vs. L»
» Wilson Audio Setup Proce»
» Tonearm Alignment Method
» Wilson Audio and the Moo»
» JBL 2490 mid-range driver
» Electrostatic Sub Horn
» To be or not to be.
» RMAF 2008 observations, »
» Why I hate HornResp.
» The strings period: the »
» A Cardboard Effect.
» Lamm ML2.2 and Mark the »
» Jonathan Valin shell be »
» Some analysis of the Joe»
» T.H.E. Show, Newport, 20»
» Book "High Quality »
» Audio Tekne driver align»
» Lamm L1 vs. L2 preamp
» Oistrakh(s) on Monitor M»
» The Audio of 21 century:»
» More about the EdgarHorn»
» Bid Midbass Asian Horns
» What lives in Symmetric »
» Koussevitsky and La Mer
» My Audio Philosophy
» Unexplained haunting exp»
» Another interesting corr»
» THE book on intonation
» How to select mid/upper »
» Sibelius VC; Furtwangler»
» God bless WDR Symphony O»
» Reflections pattern in C»
Bookmarked are red
Tonal tests
Electron Tube Data sheets
Altec divers/horns
Orchestra on Demand
Recording Technology His»
Soviet Composers
Value of Records Tool
Toccata Classics
Russian Music in 20th Ce»
Vintage Audio Trader
John Lenard Burnett's si»
IMSLP Music Library
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Pacific Microsonics Mod»
Vitavox S2 Compression »
Kenwood L-02T FM Tuner
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Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
Sansui TU-X1 Tuner
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