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» More or less pleasure: w»
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» In interesting new compa»
» Why the tubes shall be t»
» Wharfedale Super 12/RS/D»
» The most appalling audio»
» Lamm hybrids: M1.2 vs. L»
» Wilson Audio Setup Proce»
» Tonearm Alignment Method
» Wilson Audio and the Moo»
» JBL 2490 mid-range driver
» Electrostatic Sub Horn
» To be or not to be.
» RMAF 2008 observations, »
» Why I hate HornResp.
» The strings period: the »
» A Cardboard Effect.
» Lamm ML2.2 and Mark the »
» Jonathan Valin shell be »
» Some analysis of the Joe»
» T.H.E. Show, Newport, 20»
» Book "High Quality »
» Audio Tekne driver align»
» Lamm L1 vs. L2 preamp
» Oistrakh(s) on Monitor M»
» The Audio of 21 century:»
» More about the EdgarHorn»
» Bid Midbass Asian Horns
» What lives in Symmetric »
» Koussevitsky and La Mer
» My Audio Philosophy
» Unexplained haunting exp»
» Another interesting corr»
» THE book on intonation
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» Reflections pattern in C»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Composer's Anniversaries
Lully, Jean-Baptiste (28 N»
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My Audio Leftovers
Tribute Output Amorphou»
Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Pacific Microsonics Mod»
Vitavox S2 Compression »
Kenwood L-02T FM Tuner
Vitavox 330Hz Horn for »
Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
Sansui TU-X1 Tuner
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