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» Non-classical genius (st»
» Mendelssohn, Cello Sonat»
» Speakers: a hi-fi disast»
» Electricity... power str»
» What Passes for "Sp»
» Conductor Herbert Kegel
» Direct to Disc: The Brah»
» MartinLogan Montis Speak»
» Jonathan Valin smokes La»
» Wagner and loudness.
» Lampizator horn
» About the tweeters phase»
» The CES's 2011 horns
» 'Ideal' ceiling height? »
» The Berlin Philharmonic »
» The most promising “best»
» DSET phoned home?
» How the things are getti»
» Staxquiades project
» Altec cabinet: 815a
» What is better then Wagn»
» Solid state revisited
» The exaggerated boots un»
» Like theese?
» Multi-amping crossoverin»
» True High-End Audio: Ant»
» Stravinsky and Headphone»
» Sansui TU-X1 Broadcast m»
» Rach’s Prelude in C-shar»
» The most appalling audio»
» Le Poeme Harmonique
» Maxim Vengerov: Encore i»
» Trinnov amplitude and im»
» Dubbing LP to digital.
» Interview with Daniel We»
» Dick Burwens "low c»
» Digital Equalization
» The Andrew Rose’s “Prist»
Bookmarked are red
Nornan Lebrecht's blog
Dr. Bruce Edgar Interview
GEMM catalog
DaVinciAudio Labs
Olson Acoustical Book
Nubes Partem
The AHRC Research Centre
WGBH's “Keeping Score”
Stereopal
Higherfi.com
Spinning Dog Records
Good-Music-Guide
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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