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» Tanglewood 2010
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» Why I hate HornResp.
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» About my listening habit»
» THE Stargazer
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» To hear Haydn for a firs»
» The Home Theater thought»
» SET and speakers: disreg»
» Weiss Engineering DAC202
» Boston and Liszt’s Secon»
» CEC TL0 3.0 trasport
» Mid-bass Hornresp (V51.3»
» Best streaming service 2»
» Shi-Yeon Sung and BSO
» The LavryBlack DA11 Ster»
» DeCompressor - Puncher P»
» Open Baffle Speaker Desi»
» Pop-music as a side-disc»
» A use of extraordinarily»
» JBL Project Array
» Rach’s Prelude in C-shar»
» Impressions from High En»
» Mahler: Symphony No. 2 i»
» Impulse response, short »
» Some kinky goodies from »
» Signal variation, noise,»
» A great article from Pet»
» New old records shopping
» Analog vs. Digital... wi»
» LLoyd Walker Never Rests
» The tools to listening s»
» To move audio equipment »
» Faberryman and the CES 2»
Bookmarked are red
Vintage EV speakers
Classical Music Network
BachTrack
Polish GM70 Poject
Wolds Opera Broadcasts
Glenn Gould Audio Archiv»
Ward Marston's "Marston"»
Classical Recordings New»
Toccata Classics
RAAL ribbons
StateWork Broadcast Reco»
Norman Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
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APR 25 Songs for Peace in D»
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Micro-Seiki MAX-282 To»
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Purist Audio Design Pro»
Altec 515B bass drivers
Sansui TU-X1 Tuner
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Korvet “Egg” Tonearm
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