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» How audio started….
» Digital crossovers self-»
» Get, or made up a tube t»
» The New sound of London »
» (monitor vs hifi speaker»
» Electrostatic tweeter fo»
» Some Horns propaganda
» The African compression »
» Radio Netherlands’ Live!»
» Do not “compare” audio e»
» Shock-absorbing tube soc»
» In interesting new compa»
» The path of simplificati»
» Are You On the Road to A»
» The CD players must read»
» Attempt of a playback sy»
» Those little headphones…
» The BSO and Digital Musi»
» Danley's optimised paral»
» To buy an SACD Player?
» The Trout - Perlman, Ba»
» BBC: Composer of the Wee»
» Does Reference Recording»
» Mstislav Rostropovich Di»
» Preamp/linestage recomme»
» EMI rollercoaster across»
» Flac 16bit/48Khz streami»
» Philadelphia Orchestra c»
» 'Fundamental rich' liste»
» About speakers Imbedded »
» High End Audio and music»
» The irony of playback ph»
» Alternative driver for W»
» The remarkable moments i»
» THE Show, Irvine 2018
» Tonearm Alignment Method
» The most appalling audio»
» About Timbre and Audio.
Bookmarked are red
Wolds Opera Broadcasts
Alexander Karpov’s “Next»
Parnassus Records
Holger Klein's Soundpage»
MusicStack
Qualiton
The Thiele-Small Loudspe»
Berkshire Record Outlet
The Bruckner Discography
DaVinciAudio Labs
Dazy Web Labaratory
Tchaikovsky-Research.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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