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» Rightsizing from extreme»
» Coconut
» Kalinnikov’s First Symph»
» Instrumental music vs. o»
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» John Cage about silence »
» Bruckner 3rd
» A[nother] Cautionary Tal»
» Don’t "use" VTA
» The Foolishness of Analo»
» Omni-directional 'horny'»
» The Nationals Anthems
» World's Finest Sounding »
» EMI rollercoaster across»
» Drama vs. Chic
» After-concert download –»
» Some thoughts about Milq»
» Are Any Powerful Amps Wo»
» Yep, Bach would do it….
» How to play Bruckner Sou»
» The Herbert von Karajan’»
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» The cut or not to cut, t»
» The single-ended pretens»
» Floor reflections
» The Milq’s power supplie»
» The girl with banjo - th»
» BPO's virtual concert ha»
» Smetana's Piano Trio
» That is not 1812 and the»
» The FM Radio. What a Hel»
» Coral x-viii
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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augustin hadelich: tiny des»
c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
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‘the lost pianos of siberi»
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the lost pianos of siberia»
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Composer's Anniversaries
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Dorn, Heinrich (Ludwig Egm»
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Scherber, Martin (16 Janua»
Gillis, Don (16 June 1912-»
Eldering, Klaas (10 Januar»
My Audio Leftovers
Conscience of audio rev»
Koetsu Onyx Platinum Ca»
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Electro-Voice T350 twee»
Vitavox AK-15/40 15" ba»
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CEC TL-0 MK2 transport
Altec 515B bass drivers
Stage Acompany SA8535 d»
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