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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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Random Site's Threads
» I am not a Nostradamus, »
» The Estonian idiocy: Est»
» GM70 vs. 6C33C
» How Mussorgsky should so»
» Josh: My visit to Romy t»
» FM and live real-time br»
» Where is "Good enou»
» The experiments with rem»
» Anyone Care to Make Odds»
» A great production of th»
» Okada’s installation.
» Balance
» Do not reproduce extreme»
» 5 Channel Version of Mel»
» “Harmonic Speed”- friend»
» Making LPs; What Goes In»
» Training amplifiers
» Don Quixote BSO Live tod»
» Building horn onto power»
» To hear Haydn for a firs»
» A good young conductor: »
» National Youth Orchestra»
» The African compression »
» Playback as an expressiv»
» Vintage Altec drivers / »
» Remembering Sound…
» The CES's 2011 horns
» Unexplained haunting exp»
» Some evidence for the ch»
» Alfred Schnittke’s Gogol»
» Montreal audio show phot»
» Boston Philharmonic Mahl»
» Updated view: The Optima»
» Carbon Interconnect
» Romy's Phone Rings
» How difficult is it to a»
» Audio critique – open yo»
» The wonder of Ayre Acous»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
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APR 25 Songs for Peace in D»
NPR Classical Programs
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Classical Music News
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another trump blunder»
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Kazandjiev, Vassil (10 Sep»
Knight, Tim (10 September »
Rudolf, Jason (10 Septembe»
My Audio Leftovers
Sansui TU-X1 Tuner
Mid-range tantrix round»
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Pacific Microsonics Mod»
SME M2 - 12" Tonearm wi»
Stage Acompany SA8535 d»
Micro Seiki RX-5000
Vitavox AK151 15" bass »
Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
More Leftovers »»