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» The bogusness of the coa»
» Martin-Logan, Myles Asto»
» Van den Hul famous FAQ c»
» Romy's Multi-cell Horns »
» Some kind of Grundig…
» Stay home with Bruckner
» Building On "Accide»
» Bach's performing space.
» The 60-inch LF driver.
» Does horn surface porosi»
» Julia Fischer in Boston »
» Lamm ML2.0 & Lamhorn»
» The Mozart’s Dorabella a»
» Analog Transfer: the fir»
» Planning my DSET
» Michelin horns
» A nice Vandersteen inter»
» "SOTA Technology&qu»
» Baltimore Symphony Appoi»
» I think about War lately.
» Looking at the pictures »
» The Estonian idiocy: Est»
» How to mitigate the expe»
» The "NEW T.H.E Show»
» A horn workshop
» Thoughts from Clark John»
» Conductor Herbert Kegel
» Why David Robertson does»
» A great OPT resource page
» About beauty and uglines»
» German Odeon horns.
» Srajan, 6Moons, sex indu»
» I think it is the end.
» Does Reference Recording»
» Audiophile Re-issues: Wh»
» Zeus 6C33C Triode SE Pre»
» Closer to the musicians »
» How much does it cost to»
Bookmarked are red
Neal's Recordings
Alexander Karpov’s “Next»
DIY SET
Lockwood Audio
WGBH alumni
Phil Mundi Audio Pro Med»
GedLee loudspeakers
Subito-Cantabile
Boston Philharmonic Orch»
Perer Gulmann's Classica»
Lied and Art Songs
Sound Tourism
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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