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» Introduction to “Melquia»
» Brahms' Magelone Songs
» The most promising “best»
» Compression driver phase»
» The Mozart’s Dorabella a»
» Festival “Son & Imag»
» VTL TL-7.5 Reference: Hi»
» A new generation of full»
» New superlative horn bui»
» Khachaturian anyone?
» A new kid in the block: »
» Hi from Melbourne, Austr»
» I hate, hate, hate, hate»
» NESPA Optical Disc Final»
» The 3 things that audio »
» DIY Firefly Horns
» Thoughts on midbass horn»
» Reel-to-Reel Tape vs. Ra»
» NAT Audio Magna -160 Wat»
» Superior electric bindin»
» Why the tubes shall be t»
» 6C33C socket types, wher»
» SS Amplification for Com»
» The new releases from &q»
» Computer Audio - like ev»
» Where the FM quality com»
» Small SET’s bass, beside»
» SS Power Amps - the FoxN»
» Archimago's Musings talk»
» Infinite Baffle Implemen»
» The Audio of 21 century:»
» Think Denk and op.106
» Use absolute polarity as»
» Musicians' ear
» Some thoughts about Milq»
» Jonathan Weiss Introduce»
» Romy Sells Out
» MBS Platinum ADC
Bookmarked are red
Truesound Transfers
Radiotron Designers Hand»
Classical Collections
Olson Acoustical Book
OperaGlass
Tubecad publication
Random Classics
Art Songs and Librettos
StateWork Broadcast Reco»
Dazy Web Labaratory
Classical Music Network
Norman Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 27 Boston University Sy»
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APR 27 Forays in Boston on »
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