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» A new European productio»
» Recording options: Pacif»
» The new G.I.P speakers.
» The last phonocorrector:»
» (Whose) classical music.»
» The strings period: the »
» New speaker system
» About Darwinism of Music»
» The BBC Proms 2009
» Music and Arts' Spring.»
» 2012 Decca records from »
» Natalia Gutman (!) in Bo»
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» Czech Republic's Audio
» About Boiling Micro Resp»
» Woofers cone repair – a »
» Full range Melquiades im»
» Bid Midbass Asian Horns
» My CES
» What lives in Symmetric »
» Pham Thanh Cuong's playb»
» About Moronism in Audio
» Loudspeakers and headpho»
» About moronity of DIY Au»
» The Opera Room
» Bruckner and women
» Bravo, Stereophile: Adve»
» Mid-bass Hornresp (V51.3»
» Engineering over Art
» The Museatex Bidat pages.
» Records Box Stuffing
» WE15a plans
» More about the EdgarHorn»
» Preamplifiers: keys to m»
» ULF: where is the border»
» Soprano Sally Matthews.
» DAW is down… new DAW.
» The wonderful Alisa Weil»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
MacondoLite 5371 
MacondoLite optimization prerequisites. 5371 
Clarifications 5371 
MacondoLite pictures 5371 
Very interesting use of 19" rack for Macondolite 5371 
Where to start: Vitavox S2 upper range 5371 
Framing 5370 
Stereo lab 140hz 5368 
Stereo Lab 5368 
Damping Stereo Lab 140 Hz Horn with money, "your version is fine to me". 5368 
"Macondo-cloning" 5367 
Stereo Lab's "Ultra-fi" horns 5367 
Quite interesting ideas you put in there. 5367 
Thought process in selecting horns, drivers and synergy among all... 5367 
Macondo-clone ramblings 5366 
About the Macondo Cloning. 5365 
MacondoLite is the new IMAX? 5365 
The inevitability of imitation 5364 
The Count Alessandro di Cagliostro’s methods. 5364 
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Classical events in Boston
APR 29 Trio Tableau in Newt»
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My Audio Leftovers
Hillock TV-2 tube tester
Lamm L2 Reference pream»
Micro-Seiki Arm Board
SME M2 - 12" Tonearm wi»
REL Precedent 646C tuner
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