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» Archimago's Musings talk»
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» How does it sound?
» Reallocation of efforts:»
» Vintage Altec drivers / »
» The Andrew Rose’s “Prist»
» Someone is DSETing, it s»
» SET and speakers: disreg»
» Pop-music as a side-disc»
» Remembering Sound…
» High-End Audio Bass: wha»
» New, Transparent Speaker»
» Aimez-vous Bartók?
» 1st Guitar Thread
» Western Electric reprodu»
» Horn Speaker Leftovers f»
» Some Observations about »
» Copland/BSO/Copland
» How Mussorgsky should so»
» ULF: where is the border»
» Active Tonearm Monitorin»
» A Good Tchaikovsky PC 1?
» Metropolitan Opera 2009-»
» Polarity Tester – a must»
» The Studio AU projects.
» Berlin Philharmonic Dire»
» Julia Fischer in Boston »
» An ultimate transformer »
» Double enclosure or usin»
» Myth of CD clocking = Tr»
» Apple helped kill FM...a»
» Mahler VI - Barbirolli w»
» Fostex tweeters, Lowther»
» Big room vs small room
» A fundamentally faulty J»
» Getting Started with Mya»
» Practicality of paper ma»
» NOS Wagner move - what i»
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Dr. Olson Tribute Site
Paul's Antenna Attic
Altec divers/horns
Rottenburger Museen
Daniels Audio
Dolmetsch Online
Parnassus Records
The National Valve Museum
Glenn Gould Audio Archiv»
Duntech Audio loudspeake»
OperaGlass
Great Plains Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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