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» Relief from micro-arcing»
» Meyer X-10
» The "new" Shos»
» Has anyone built the DIY»
» The Studio AU projects.
» Lamm L1 vs. L2 preamp
» Horns with contra-profil»
» Truly a new use of high-»
» The Daniel Hertz M1 ultr»
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» America, version 2004
» Tchaikovsky’s “Evgeny On»
» The best speaker in the »
» Who inherit Mocondo or a»
» I wonder if this crap is»
» Audio system: my path to»
» Brilliant audio Quotes.
» Audio and Music: four le»
» I built this device
» Romy, how does the origi»
» Unexplained haunting exp»
» The Rafael Kubelík'»
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» Classical Music for the »
» A quest for a better mon»
» If I start High-End Audi»
» Placido Domingo... condu»
» Tuuubes - where are the »
» Friedrich Kuhlau and his»
» What drives good sound?
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ECC99 - 6C33C SET
Exponential/Hyperbolic C»
Holger Klein's Soundpage»
Sibelius Academy music l»
Linkwitz's "Laboratory"
BuyWell Australia's Clas»
Orchestra of the Age of »
Lockwood Audio
Classical Music Network
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Higherfi.com
Russian Music in 20th Ce»
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AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Purist Audio Design Pro»
REL Precedent 646C tuner
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