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» About beauty and uglines»
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» The Softer Side of a Har»
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» Chesky's violin concerto
» Custom made woofers.
» Boxed in horns
» Deep End DIY - Austral»
» Another interesting corr»
» Myth: High-efficiency L»
» The "Nubianco"»
» The Sound and How We Hea»
» Crash course on horns an»
» Audio industry metaphor
» Schroder Tonearms
» What about 220V 50Hz?
» More or less pleasure: w»
» The Silence of the Lamms!
» Playback and operation o»
» Why horn-loaded loudspea»
» Pham Thanh Cuong's playb»
» Professional sound syste»
» BAAS posting of two raw »
» Another light for the LS»
» Do the Filament Transfor»
» Bye-Bye, Fane
» CD Is Dead. CD Is Dead?
» About dymick sparkling.
» Romy, how does the origi»
» World's Finest Sounding »
» The Melquiades bass chan»
» Audio equipment vs. live»
» It takes balls to shop (»
» Recording options: Pacif»
» Who the hell is this int»
» New CubeAudio Tractrix H»
» Remedies the Beauty
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Sibelius Academy music l»
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Truesound Transfers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 26 Andris Nelsons, cond»
APR 26 Mozart: Don Giovanni»
APR 26 exploration of the s»
APR 26 RAVEL / BERG / MAHLE»
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APR 27 Forays in Boston on »
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CEC TL-0 MK2 transport
Ortofon Mono CG 25 Di c»
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Mid-range tantrix round»
Micro-Seiki air-suspend»
Koetsu Onyx Platinum Ca»
Stage Acompany SA8535 d»
Hillock TV-2 tube tester
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Korvet “Egg” Tonearm
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