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» Speakers: a hi-fi disast»
» Midbass injection channel
» Monophonic bass: myth an»
» Crash course on horns an»
» Playback and Perception »
» Smetana's Piano Trio
» ULF: where is the border»
» Bahnsen Horns + some fre»
» New source for old tuners
» Building Melquiades: Chr»
» Accidental death music.
» Analog: a reduction of s»
» The New York Philharmoni»
» The John Barbirolli’s wi»
» About speakers Imbedded »
» Eduardo de Lima is a fre»
» Monitors: Wishful thinki»
» Passive line level cross»
» Nikolaj Znaider's play a»
» Single-stage Melquiades »
» What is High-End Audio, »
» Vincent Brient’s playbac»
» Woman conductor?
» Audio industry metaphor
» Jean Hiraga’s cooking of»
» What 10k Buys You These »
» Bravo, Stereophile: Adve»
» Story of my discovery - »
» Maria Callas’s Glory Day»
» Listening Pipe Organ Mus»
» Updated view: The Optima»
» An idea of “Rain Wake-Up»
» Digital Volume Control s»
» Expressive Technologies »
» 6C33C loading in Super M»
» Choice of Fireware Inter»
» Carbon Interconnect
» Faberryman and the CES 2»
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Hughs Ominous Tubes
Aria Database
Dazy Web Labaratory
Tuner Information Center
The Gustav Mahler Board
Arbiter Records
Pjay's Speaker building »
Rachmaninoff Society
Takashi Asahina Group
Lenard's Opals monitor
Japanese's HiFiDo
Virtuosos Discographies
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
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