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Random Site's Threads
» Lithuania enters the gam»
» The commercial music ser»
» Show Report PiS Fest
» Macondo's Axioms: Horn-l»
» About the undeveloped au»
» Brahms, "Liebeslied»
» The DSET perspective exa»
» Preamp/linestage recomme»
» New bottlehead dac
» Friedrich Kuhlau and his»
» The need for a balanced »
» Small SET’s bass, beside»
» Digital crossovers self-»
» RIP Oscar Peterson
» Dreams about Audio
» Another electromagnet dr»
» Can a ultimate playback »
» Preamplifiers: keys to m»
» Romy the Cat's Audio»
» (Whose) classical music.»
» Ca(r)t before the horse:»
» A subwoofer of death, no»
» Those Video broadcasts f»
» It’s mad, mad, mad... e»
» Analog Transfer: the fir»
» Brahms 4th Symphony in i»
» Not just another leather»
» 4-sale items
» What are the effects of »
» What to read in audio?
» The idiotism of Audio Sy»
» Playing music for visito»
» Equalizer? Hm…
» Loudspeaker: Sound repro»
» A CD player of today… 20»
» Wide dispersion horns
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» Audio equipment vs. live»
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Classical events in Boston
APR 19 Andris Nelsons, cond»
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APR 19 Brahms: A German Req»
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NPR Classical Programs
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Composer's Anniversaries
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von Schillings, Max (19 Ap»
Tailleferre, Germaine (19 »
Wirén, Dag Ivar (15 O»
Galindo Dimas, Blas (3 Feb»
Matchett, Steve (19 April »
Fitkin, Graham (19 April 1»
My Audio Leftovers
Purist Audio Design Pro»
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Fane Studio 8 dual conc»
Lamm L2 Reference pream»
Micro-Seiki air-suspend»
SME M2 - 12" Tonearm wi»
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
Vitavox AK151 15" bass »
More Leftovers »»