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Melquiades SET Amplifier
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End of Life Phonostage
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» 47 Lab Digital
» New here
» Lamm Industries: a speci»
» AMR PH-77: just another »
» Incorporating active cro»
» Puccini: Tosca
» Tubas and Mc-step
» SPUnisation of Macondo: »
» Brahms, "Liebeslied»
» New bottlehead dac
» Attention Sound Engineer»
» Problems with horns: twe»
» Shi-Yeon Sung and BSO
» Replacing 802 G and 811 »
» Some thoughts about bass»
» Reflex enclosures used a»
» Push pull compound compr»
» Playback and chamber mus»
» The commercial music ser»
» “Melquiades” amplifier: »
» Copper Mat on a Micro Se»
» Remote control, problems»
» Making musical instrumen»
» Another horn manufacturer
» Nanse Gum and his Euro-A»
» Mercury Living Presence »
» Live vs. Recorded transc»
» Another (outdoorsy) swea»
» Goto SG-370DX measurement
» Bruckner, me and the Sev»
» My playback: what is nex»
» Engineering over Art
» If you were to start fro»
» About the Playbacks’ Thi»
» Boxed in horns
» Audio critique – open yo»
» Modifying TAD 2404
» The ultimate buffer #2..»
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