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» Has anyone ever seen the»
» Shostakovich‘s "Suite on»
» Smyth Research Realiser »
» “Harmonic Speed”- friend»
» Kevin Brooks Acoustic Sy»
» Bermuda Triangles of Aud»
» The “theories” about the»
» My favorite video clips
» We do not have an audio »
» 1st Guitar Thread
» The jump-start of loudsp»
» About DSET-driven multi-»
» Music and WW3
» The Active High Frequenc»
» Surprising: the most int»
» My trip to the Stereophi»
» Ca(r)t before the horse:»
» The Classical Music Caf&»
» When the stars aligned.
» Bach and kids…
» Beware of PurePower Part»
» Yet another Gould box se»
» The leather-suspended dr»
» Tschaikowsky, [Violin] C»
» NAT Audio Magna -160 Wat»
» Always check power-line »
» Playback as an expressiv»
» Playback and chamber mus»
» Primitive steps for stan»
» Pacific Microsonics Mode»
» Lower cost horn loaded a»
» Minusk: a new Vibraplan?
» “Tool” for Morons ™: Bla»
» Future of high-end audio
» A longer turntable belt.
» Another 2005 CES standou»
» A random neutralness
» Why I hate HornResp.
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Soviet Composers
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Louis Speichler's Records
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Electro-Voice T350 twee»
Tribute Output Amorphou»
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
Micro-Seiki Arm Board
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Ortofon Mono CG 25 Di c»
REL Precedent 646C tuner
Rohde & Schwarz EU-6201»
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