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» Shelter 901 on SME 309 t»
» Ultimate Turntable?
» The "new" Shos»
» Macondo Frame modificati»
» Klangfilm: actual knowle»
» NAT Audio Magna -160 Wat»
» Analog vs. Digital... wi»
» What drives your musical»
» Some thoughts about Milq»
» The foolishness of multi»
» Battling stupid Horn Cri»
» The meaning of lowest oc»
» Bruckner Ninth and the W»
» The High Resolution PCM »
» Dick Burwens "low c»
» A tribune to Transient E»
» Aries Cerat Contendo - t»
» Kloss 5-way horns setup.
» Purist Audio Design vs. »
» RIP, Joan Sutherland, &q»
» There is Bruckner and th»
» Shelter 901iii or 90c ca»
» Reel Machines :-O
» The Loudspeaker (Troels »
» Corner Speakers for a ne»
» Beethoven PC 5 Surprise »
» Lab JC
» Where is the real Russia»
» The Mercury "Rigole»
» Audio Covid and some hom»
» Playback and chamber mus»
» Live memories of Live br»
» The “theories” about the»
» The best “Die Fledermaus»
» SME M2-12 tonearm
» The ultimate cancer of a»
» Playback journeys and Mu»
» Asyncronus USB
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Marston Records
Lockwood Audio
Spinning Dog Records
Aria Database
Former Sirkorski Site
The Victor Victrola Page
Jim Moskowitz's Unknown »
The AHRC Research Centre
Decca Classical discogra»
Nubes Partem
Hickok Maintenance
Avie Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Altec 515B bass drivers
Lamm ML-2 Single-Ended »
Musatex’s Bidat Model "»
SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Vitavox 330Hz Horn for »
Korvet “Egg” Tonearm
Sansui TU-X1 Tuner
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