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» The Audio of 21 century:»
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» Crossover or non-crossov»
» Melquiades: too early fo»
» Appearance of listening »
» THE Stargazer
» An air compressor and TT.
» The fantastic Lucas Deba»
» Macondo's Axioms: Horn-l»
» The today’s take on Rach»
» Rachmaninoff, PC 3; Kond»
» The absolutely “best” ma»
» A Simple Question (or 3)»
» High-End Audio, how to »
» The ridicules naming of »
» Rohde & Schwarz EU-6»
» Winter storm & Casals
» How the things are getti»
» Prokofiev Classical Symp»
» Horns and digital crosso»
» Valve Preamplifier for M»
» A truly cool solution fo»
» Gershwin's Rhapsody in B»
» WGBH Opera Bash 2009
» Educate yourself WHY you»
» Belar fms-2 Vs. r&»
» Van Cliburn Moscow 1958
» Stunning Resurrection in»
» Absolutely the best audi»
» The 'nature' of said rea»
» NASA Reverberant Acousti»
» BD-Design’s Orelino
» Ways to use audio method»
» Puccini: Tosca
» Interesting use of Lunda»
Bookmarked are red
Bruce Edgar's Edgarhorn »
Opera Collector Guide
33+45=78
Vincent Brient's Sit
Norman Lebrecht's blog
WGBH alumni
Linkwitz's "Laboratory"
Tahra Records
Rottenburger Museen
Wolds Opera Broadcasts
Austria's Musical Exiles
Ward Marston's "Marston"»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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