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End of Life Phonostage
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» Correcting Filters and t»
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» Dedicated horn loaded mi»
» Here's what's REALLY wro»
» Better DAW by a “second”»
» Audio vs. Musical pitch
» Kevin Puts, American Com»
» The loudspeakers for a p»
» The contemporary pressin»
» SME M2-12 tonearm
» Music in the Sound: a mo»
» JBL 2226 2445 2405 3-way»
» Aimez-vous Bartók?
» Reflex enclosures used a»
» To play my 88/24 files o»
» The most complicated que»
» How we "think"»
» Unexplained haunting exp»
» Musique Concrete horns
» New set-up causing major»
» I think it is the end.
» Observations and Thought»
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» How to build the best au»
» Cooperation for the comm»
» Preamp/linestage recomme»
» Benjamin Britten’s Violi»
» The contra-ridicules sol»
» Melquiades: too early fo»
» Sometimes surface noise »
» The global live televisi»
» Some Horns propaganda
Bookmarked are red
MetManiac Opera Archive
Linkwitz's "Laboratory"
Koussevitzky & BSO
Audio Anthology
Classical Collections
Higherfi.com
Soviet Composers
Tahra Records
Value of Records Tool
IMSLP Music Library
The Leonard Cohen Files
Jogis Röhrenbude's Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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