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» Gershwin's Rhapsody in B»
» The experiments with rem»
» Tokyo Opera City Concert»
» French Horns/drivers sho»
» Magico Model 6 loudspeak»
» The “Primary Frequencies»
» The mystery of reversed »
» Fake Vitavox S2 diaphrag»
» RDH20 Frame double horn »
» Antenna Cable Connection
» The “Dead Points of Live»
» Hypex for ULF?
» Relief from micro-arcing»
» Use absolute polarity as»
» Back chamber
» Antelope: might be an in»
» Macondo vs. the “industr»
» "Not So Sweet Spot&»
» The WHRB Wagner’s Ring C»
» Tchaikovsky Symphony #4
» My beloved Contraltos: k»
» I do not even know where»
» Silicone gel damping?
» A perfect "High-End»
» A turntable platter as a»
» Audio Shopping vs. Piano»
» Loenid Kogan
» Tape Machines
» Remembering Sound…
» 8" Goto Woofer for »
» The last phonocorrector:»
» RIP Pauline Oliveros
» “Harmonic Speed”- friend»
» From GoodSoundClub, with»
» Dubbing LP to digital.
» Melquiades For Dummies™ »
» Horn speaker with dipole»
» It looks like Brits will»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
Hillock TV-2 tube tester
Rohde & Schwarz EU-6201»
Musatex-TP Bidat 20-Bi»
LF Transformer for 6C33C
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“Tree Blind Mice” colle»
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Micro Seiki RX-5000
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