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» A contemporary great CD »
» Sansui TU-X1 Broadcast m»
» High-End Audio and ... p»
» PlayClassics TRT v2.0 ma»
» Kevin Puts, American Com»
» The dynamic range of our»
» Dynamic viscose stabiliz»
» Yep, Bach would do it….
» Don’t "use" VTA
» The silence after coda
» Altec radial phase plug »
» My feelings about new ex»
» A resistor between scree»
» Records Box Stuffing
» Here is my new tonearm.
» I think my Dynavector 10»
» RIP Pauline Oliveros
» An ultimate horn profile?
» The sound compromises of»
» About the Playbacks’ Thi»
» Wide dispersion horns
» Volti Audio's Vittora
» Dukane 5A540 Compression»
» Correcting Filters and t»
» Another horn manufacturer
» What TRULY high-audio p»
» Analog: a reduction of s»
» Be careful: Imaging vs. »
» Boston and Bruckner
» The open project: a late»
» Scientific vs. audio act»
» Monophonic bass: myth an»
» 3012 silicon dumping
» Horn Speaker Leftovers f»
» An idea of “Rain Wake-Up»
» High End speakers Evolut»
» Modifying TAD 2404
» Great Cello Concertos
Bookmarked are red
Dr. Bruce Edgar Interview
Eugene Ormandy Pages
The Music Parlour.
Wiener Philharmoniker Di»
Tahra Records
BachTrack
Art Songs and Librettos
Random Classics
Koussevitzky & BSO
TubeTesters.info
Broadcast History
Lenard's Opals monitor
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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