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» Belcea Quartet
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» The cut or not to cut, t»
» Tree motors from one sid»
» Martin-Logan, Myles Asto»
» The best Third Movement »
» Hypex for ULF?
» Ever thought about how m»
» BSO and 192kps
» Analog Transfer: the fir»
» Reinforced live sound in»
» Hideous American operas.
» Antenna solutions for FM
» Wich melquiade?
» Another time aligned 5-w»
» “Why horns”, years later.
» Pacific Microsonics Mode»
» Sauna and Audio
» Analog vs. Digital... wi»
» Bose SoundDock Devil Mac»
» Bye-Bye, Fane
» A stunning contra-Bruckn»
» The irony of playback ph»
» More Gieseking!
» Lamm ML2.1 "No long»
» Orchestra of 32 Loudspea»
» A quantum CD?
» Mid-bass Hornresp (V51.3»
» "Something is rotte»
» The ultimate buffer #2..»
» The Dog eat my CDs.
» Driver Alignment, and Wh»
» Lutoslawski’s Concerto f»
» Unexplained haunting exp»
» The Saudi Arabia and Uni»
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AudioTools
Radiotron Designers Hand»
Adnan Arduman's site.
Joachim Raff Society
Classical Music Forum
Robert Greene’s "Reg on »
Alexander Karpov’s “Next»
Plasma Tweeters Site
BuyWell CDss
Jim Moskowitz's Unknown »
Classical Music Network
Wing Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Korvet “Egg” Tonearm
Micro Seiki RX-5000
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Sansui TU-X1 Tuner
Hillock TV-2 tube tester
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