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The “Melquiades” Sound -»
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Lutoslawski’s Concerto f»
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Abbado + Lucerne Festiva»
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Bruckner Ninth and the W»
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Midbass impedance bumps »
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Danley's optimised paral»
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Audio Note new turntable»
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Playlists and patience
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An interesting comment, »
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Bose SoundDock Devil Mac»
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Passive line level cross»
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Building Melquiades: Chr»
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Synergy Horn
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About Harry Pearson lega»
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If you play a guitar…
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Neumann Dummy Head.
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Günter Wand Intervi»
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Ever thought about how m»
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Lecture on history of ar»
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A new generation of full»
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A new European productio»
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More or less pleasure: w»
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The “Primary Frequencies»
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Get, or made up a tube t»
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Bach and Rain
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Copyright protection for»
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The ultimate buffer – li»
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Crossover or non-crossov»
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VoES
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Antenna solutions for FM
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Recording/Playback softw»
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Don’t "use" VTA
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Wide dispersion horns
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New set-up causing major»
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Some Audiogon realty
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The Rafael Kubelík'»
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Lab JC
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Classical events in Boston
APR 25
Handel’s Ariodante i»
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Pucicini: Gianni Sch»
APR 25
Behold the Sea in Ca»
APR 25
Tufts Composers: New»
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NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Bossi, Marco Enrico (25 Ap»
Fitelberg, Jerzy (20 May 1»
Bavicchi, John (25 April 1»
Denhoff, Michael (25 April»
Bedford, Luke (25 April 19»
My Audio Leftovers
Rohde & Schwarz EU-6201»
LF Transformer for 6C33C
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
Musatex-TP Bidat 20-Bi»
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Pacific Microsonics Mod»
Stage Acompany SA8535 d»
Koetsu Onyx Platinum Ca»
SME M2 - 12" Tonearm wi»
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