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» The African compression »
» I would like to believe »
» Driver tubes, grid leak »
» The Tenor amplifier and »
» What about 220V 50Hz?
» K2HD -yet, another CD fo»
» Natalia Gutman (!) in Bo»
» Furtwangler War Years Re»
» The “theories” about the»
» Macondo Horns: biography.
» Audio Tekne driver align»
» Starting from scratch - »
» Capturing live internet »
» Life 3.0
» Sansui AU-X1 bomb...
» Contributing factors in »
» Der Ring Des Nibelungen »
» Antenna solutions for FM
» Bias help
» The nature of "soun»
» Audio industry metaphor
» Sub-woofer integration w»
» Use absolute polarity as»
» Hi from Melbourne, Austr»
» Samuel Feinberg's Well-T»
» Experimental horn
» Too damn loud?
» Accidental death music.
» Charles Schlueter’s inte»
» The global live televisi»
» The Softer Side of a Har»
» Chord QBD76 - the new dac
» Bliss
» Could someone recommend »
» There is nothing subject»
» Reallocation of efforts:»
» Philosophical approach t»
» Non-Jewish Jewish music »
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Conductor’s Corner
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Joachim Raff Society
Duntech Audio loudspeake»
Subito-Cantabile
OperaGlass
Dolmetsch Online
The Tape Project
Tubecad publication
ClassicalNet
Ron Penndor's Recollecti»
Polish GM70 Poject
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
APR 25 Songs for Peace in D»
APR 25 Songs for Peace in D»
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it’s (almost) business as »
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Vitavox S2/S3 diaphragms
Sansui TU-X1 Tuner
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Electro-Voice T350 twee»
“Tree Blind Mice” colle»
Stage Acompany SA8535 d»
REL Precedent 646C tuner
Altec 515B bass drivers
Koetsu Onyx Platinum Ca»
CEC TL-0 MK2 transport
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