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» Electrostatic Sub Horn
» A new generation of full»
» Berlin, Bruckner 8 in Ma»
» Philmundi Story about ho»
» Eben X-3 loudspeakers -»
» The Truly High-End Ampli»
» Ways to use audio method»
» Yo-yo Ma live on the int»
» About Wilson Audio Louds»
» Rejection of non-natural»
» High-End Audio "sec»
» RIP Pauline Oliveros
» How difficult is it to a»
» Audio vs. Musical pitch
» Hans Zenders’ orchestrat»
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» RIP, Joan Sutherland, &q»
» Direct to Disc: The Brah»
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» Macondo and ALE drivers,»
» Russian cello festival
» Additive capacitance: mi»
» How Piazzolla should sou»
» A different type of uppe»
» GoodSoundClub – one year»
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» About dymick sparkling.
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» The Mercury "Rigole»
Bookmarked are red
Linkwitz's "Laboratory"
Jong Woo's Site
Dazy Web Labaratory
Value of Records Tool
Tonal tests
Tubecad publication
American Broadcasting
Turner Audio
Cedille Chicago
Truesound Transfers
RAAL ribbons
Eugene Ormandy Pages
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro Seiki RX-5000
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Rohde & Schwarz EU-6201»
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Pacific Microsonics Mod»
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