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» My new “New” listening r»
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» Passive line level cross»
» BBC: Composer of the Wee»
» About the tweeters phase»
» Belcea Quartet
» Brahms [piano] Concerto »
» Electrovoice t350 repair»
» Taking the mystery out o»
» Macondo copying: Horns t»
» Boston and Bruckner
» Rightsizing from extreme»
» What is High-End Audio?
» Zebra horns painting?
» R22
» Always check power-line »
» How to waste $25.000.00
» Harry Pearson new round »
» Anyone Care to Make Odds»
» Mendelssohn, Cello Sonat»
» Live vs. Recorded transc»
» The absolutely “best” ma»
» The Shelter 90X: mystery»
» The best 20 hz bass horn
» William Ralston Listenin»
» Cmpare them
» THE book on intonation
» Battling stupid Horn Cri»
» The best practices for D»
» The Abington Something =»
» Greek Anima Loudspeakers
» Dvorak Cello Concerto in»
» “Melquiades” amplifier: »
» Micro Seiki DD30 Headshe»
» Learning to interpret RTA
» Tanglewood 2010
» Any good sounding AES/EB»
» The most interesting hor»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
Micro-Seiki air-suspend»
Lamm ML-2 Single-Ended »
Kenwood L-02T FM Tuner
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Altec 515B bass drivers
Hillock TV-2 tube tester
Micro Seiki RX-5000
Musatex-TP Bidat 20-Bi»
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