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» Do not pursue full-range»
» Use absolute polarity as»
» New Beethoven cycle/Anim»
» Who builds horns?
» Some kind of Grundig…
» Tokyo (Akihabra) Audio a»
» I am not a Nostradamus, »
» Macondo Alternation. Ext»
» MDTunes™ from SoundLab l»
» Audio-tekne's "Tone»
» An evening to remember -»
» Building horn onto power»
» The List: Let age public»
» Kenwood L-02T and the hy»
» MacondoLite
» Altec Model 19 in Boston.
» Better DAW by a “second”»
» Taking the mystery out o»
» Boston and Liszt’s Secon»
» 'Ideal' ceiling height? »
» Living Voice Loudspeaker
» Bye-bye Studer…
» RAAL “Water Drop” tweete»
» Celibidache / bruckner
» Bruckner 8 in Washington»
» About Harry Pearson lega»
» Why I do not love Mahler?
» Turntable Design
» The tapped horns: cons, »
» Chicago Horn Loudspeaker»
» About Audio and Cooking »
» About reviewer’s qualifi»
» Goodbye to EMI?
» I think about War lately.
» Audio clubs in London, T»
» Tokyo Opera City Concert»
» Multicellular horns
» BPO's virtual concert ha»
Bookmarked are red
George Szell discography
Professional Audio Calcu»
Turner Audio
Input Choke & Resonant C»
Exotic Audio
Value of Records Tool
Classical Recordings New»
The Opera Critic
Vintage EV speakers
Norman Lebrecht's blog
Glenn Gould Audio Archiv»
Olson Acoustical Book
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
APR 19 Cantus in Rockport o»
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it’s (almost) business as »
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Micro-Seiki air-suspend»
Purist Audio Design Pro»
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Rohde & Schwarz EU-6201»
Musatex’s Bidat Model "»
Korvet “Egg” Tonearm
Micro Seiki RX-5000
CEC TL-0 MK2 transport
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