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» Audio equipment vs. live»
» A new 'chic' foolishness»
» You Can Play the Record,»
» The evenings with Greate»
» San Francisco in Februar»
» The new releases from &q»
» Monophonic bass: myth an»
» The loudspeakers for a p»
» EMI rollercoaster across»
» Audio and Music: four le»
» Those experiences. Early»
» There is Bruckner and th»
» Crossover or non-crossov»
» 5 Channel Version of Mel»
» The best 20 hz bass horn
» How to mitigate the expe»
» Gardzienice "Metamo»
» Big room vs small room
» Stravinsky and Headphone»
» VTL TL-7.5 Reference: Hi»
» Achingly Beautiful Arias
» Digi Redux; Drive 1 tran»
» I do not know what else »
» "Seamless extended »
» Interesting use of Lunda»
» Happy New Year
» Hideous American operas.
» Idea of a 3way horn syst»
» The "non-winner&quo»
» Class “D” – the industry»
» HELP: I’m a line-level l»
» Bruckner integral
» Dpols?
» It looks like Brits will»
» Who has best sound in Hi»
» Speakers: a hi-fi disast»
» Long Range Acoustic Devi»
» Double enclosure or usin»
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APR 1 First Monday at Jord»
APR 1 Tufts Composers in M»
APR 3 NEC Philharmonia in »
APR 4 Still Here: Music of»
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APR 4 La Tragédie de Carme»
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“Tree Blind Mice” colle»
Lamm L2 Reference pream»
Lamm ML-2 Single-Ended »
Sansui TU-X1 Tuner
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Vitavox AK151 15" bass »
Kenwood L-02T FM Tuner
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Purist Audio Design Pro»
Micro-Seiki MAX-282 To»
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