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» Pham Thanh Cuong's playb»
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» Van Cliburn Moscow 1958
» Ravel Piano Concerto No2
» Driver tubes, grid leak »
» The Supernatural Josef H»
» Upper-Sound of Upper-Imp»
» The Hand Clapping by Fra»
» Where are our good Tuner»
» High End 2012 in Germany
» Playback as an expressiv»
» RDH20 Frame double horn »
» 250 watts Parallel S.E. »
» Configuration from Italy»
» Making musical instrumen»
» The 'Beethoven Test' of »
» Micro Seiki DD30 Headshe»
» SET and speakers: disreg»
» Lithuania enters the gam»
» Get, or made up a tube t»
» A new strange but predic»
» Paul McGowan. tubes in p»
» Interesting use of Lunda»
» Tannoy Red 1960s: some s»
» My today’s views on LP c»
» Yamamura's 6 ways
» Boston and Liszt’s Secon»
» Full range Melquiades im»
» A fundamentally faulty J»
» Building Melquiades: Chr»
» Why second tonearm/cartr»
» Foundation Standarts for»
» Impulse response, short »
» Stephen Hartkel, the goo»
» Audio and Music: four le»
» Prokofiev
» Compression drivers saga
» EdgarHorn Speaker Project
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John Lenard Burnett's si»
Musical Instrument Jokes
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Dr. Olson Tribute Site
Virtuosos Discographies
Willem Mengelberg discog»
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WGBH's “Keeping Score”
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Michelangeli Discography
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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he wasn’t toscanini, but h»
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LF Transformer for 6C33C
Musatex-TP Bidat 20-Bi»
CEC TL-0 MK2 transport
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Altec 808A compression »
Purist Audio Design Pro»
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Micro-Seiki Arm Board
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