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» Goodbye to EMI?
» Danley's optimised paral»
» Eventually I’ve seen a l»
» Russian variant amplifier
» The ferrofluiding of com»
» The 6E5P tube data.
» My first audio show. Hmm»
» More about step up trans»
» Sony Blu-spec CD audio f»
» The loudspeakers for a p»
» The ultimate worst best »
» The Lieberson’s Neruda S»
» The Museatex Bidat pages.
» Lamm introduced LL1 Sign»
» Inside views of "me»
» Oliver Sacks' "Musi»
» A new beast from JBL: Ev»
» Munich High End 2011
» If you were to start fro»
» How would you handle it?
» Macondo’s lowest channel.
» Next week in Metropolita»
» GM70 vs. 6C33C
» Bruckner, me and the Sev»
» S3 on tractrix 260 graph.
» Chord QBD76 - the new dac
» Satisfying result: the R»
» The "Lopsided"»
» The African compression »
» The Krell’s cursed Sound»
» Greeting every one
» Ode to joy
» Interesting use of Lunda»
» Deficiency of sensible a»
» Listening Pipe Organ Mus»
» Van Cliburn Moscow 1958
» Digital recorders: what »
» Boston Philharmonic Mahl»
Bookmarked are red
Valves Collection
Daniels Audio
Radiotron Designers Hand»
Phono EQ
Stereopal
Altec divers/horns
THL Audio
Virtuosos Discographies
Koussevitzky & BSO
Music & Arts
Jong Woo's Site
Pjay's Speaker building »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
from concerts to cartoons:»
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classical music attracts o»
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it’s (almost) business as »
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