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Macondo Acoustic System
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» Analog Transfer: the fir»
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» Lamm ML2.0 & Lamhorn»
» A single worst thing in »
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» Janine Jansen Violin
» Engaging the David Haign»
» Midbass injection channel
» Tchaikovsky's Nutcracker»
» Yamamura's 6 ways
» The EdgarHorns: the new »
» Measuring reality: empir»
» High End Munich 2014 imp»
» Dick Burwens "low c»
» Verify that you sources »
» An interesting read abou»
» Sandisk Sansa Clip +
» LLoyd Walker Never Rests
» DRU Tube for Melq’s HF c»
» About the tweeters phase»
» Some nice horns from Gre»
» Phoenix
» Mitigating Undesired Hig»
» All Active! A DSET and m»
» Sensible record cleaning»
» Don't position speakers »
» An evening to remember -»
» Tubas and Mc-step
» Bach Piano Concertos, 1,»
» Upperbass horns – tone v»
» Micro Seiki MAX 282 User»
» The industry’s high qual»
» RMAF 2008 observations, »
» Learn to listen your lis»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The open project: a lateral cross-injection. 2338 
Another Approach for a Correct Presentation 2338 
Qol-ly Whomper 2334 
What is necessary here is 2334 
Similar ideas 2334 
Messing With the Audio Third Rail 2334 
Easier on the drivers 2334 
Channeling Channels 2333 
Wood for the trees 2333 
Andrea von Salis 2329 
Spatial separation an inherent part of music 2329 
Necessity vs choice 2328 
Fixated on spatial separation? 2328 
Just to be clear 2328 
The art of audio thinking. 2328 
Dazed and confused 2328 
My view. 2327 
Ok maybe I understand you even when I don't 2327 
Try to hear Lamm L1/L2 for start. 2327 
No lamm to bleat at me 2327 
Cross Phase or simply head correct? 305 
Attempts to Correct Presentation 305 
The Art of Memory 305 
The desired result? 305 
If It "Works", 305 
The phase trick is actually not that difficult 31 
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