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» Lecture on history of ar»
» Berlin, Bruckner 8 in Ma»
» Relief from micro-arcing»
» The Evolution of Honk.
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» Custom made woofers.
» The K&K SE hybrid ph»
» Monitors: Wishful thinki»
» The Shelter 90X: mystery»
» Seven phases in the life»
» Ophelie Gaillard renders»
» Experience Music Horn In»
» Building On "Accide»
» Contact-free volume cont»
» It is about timbres, stu»
» Superbly interesting eff»
» Short midbass horns
» How to sell high-end aud»
» Digital crossovers self-»
» Lamm Industries: a speci»
» "SOTA Technology&qu»
» Harry Pearson new round »
» Drama vs. Chic
» Active Tonearm Monitorin»
» Wich melquiade?
» The beauty of Cannibalis»
» Brahms, "Liebeslied»
» The Patrick Flanagan’s N»
» High-End Audio, how to »
» A full-range driver = C»
» Moscode, Morecode, Moron»
» A complex Audio Question
» Prokofiev Classical Symp»
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» About bass horns by Joha»
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» Audio Cost
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
APR 25 Songs for Peace in D»
APR 25 Songs for Peace in D»
NPR Classical Programs
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cellist lynn harrell has di»
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he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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Röntgen, Julius (9 Ma»
Elling, Catharinus (13 Sep»
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Duble, Charles Edward &quo»
Bunk, Gerard (4 March 1888»
Tutev, Georgi (23 August 1»
Jarre, Maurice (13 Septemb»
Chatillon, Jean (13 Septem»
My Audio Leftovers
Electro-Voice T350 twee»
Micro-Seiki Arm Board
Altec 515B bass drivers
Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Lamm ML-2 Single-Ended »
Kenwood L-02T FM Tuner
Sansui TU-X1 Tuner
Vitavox 330Hz Horn for »
Stage Acompany SA8535 d»
More Leftovers »»