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» Tannoy Red 1960s: some s»
» That is not 1812 and the»
» How Piazzolla should sou»
» More about Vienna Philha»
» Best recording I heard i»
» To Milq builders: correc»
» Seven hours of live musi»
» Making musical instrumen»
» Playing American Music o»
» After-concert download –»
» The single-stage Milq an»
» Playback journeys and Mu»
» 2011 Brucknerathon
» The industry’s high qual»
» Bookshelf Horns
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» My today’s views on LP c»
» Truly a new use of high-»
» Rohde & Schwarz EU-6»
» The Krell’s cursed Sound»
» Two channels (tweeter an»
» Etheraudio's some BS….
» My old Fi-Hi gear associ»
» Reel-to-Reel Tape vs. Ra»
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» Music in the Sound: a mo»
» "New" TechDas »
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» Audio industry metaphor
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The Soul of Sound
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Eugene Ormandy Pages
Russian Music in 20th Ce»
Former Sirkorski Site
Classic Artc Showcase
Female Composers Site
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AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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is bach better on harp?»
julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
classical music livestream»
how to diversify orchestra»
ethel smyth, a composer lo»
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‘the lost pianos of siberi»
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Vitavox AK151 15" bass »
Ortofon Mono CG 25 Di c»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
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Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
“Tree Blind Mice” colle»
Vitavox AK-15/40 15" ba»
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Lamm ML-2 Single-Ended »
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