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» A new strange but predic»
» Updated view: The Optima»
» Munich High End 2010
» Johannes Brahms - Sympho»
» Are Any Powerful Amps Wo»
» Disregard Digital with V»
» Another (outdoorsy) swea»
» The 24 bits of Christmas
» 4-way horn system Prelude
» Help with RF loop
» In Praise of Infidelity »
» Hammond?
» Copper Mat on a Micro Se»
» Push pull compound compr»
» Callas and Tebaldi Compa»
» Expectations in the conc»
» Something that a loudspe»
» Listening playback with »
» The Mercury "Rigole»
» Andre Previn in Boston.
» Audio equipment vs. live»
» I do not even know where»
» The elusive “absolute to»
» Auro, reverb injection, »
» Tonearm Alignment Method
» Cerebral and psychologic»
» FM and live real-time br»
» A magnetic hybrid driver.
» Mystery Horn ? ? ? anyon»
» Yamaha B-2 V-FET amplifi»
» Explain TAD ET-703 drive»
» Cessaro Gamma II and Ome»
» Attempt of a playback sy»
» CDs: good tendencies.
» Boston and Liszt’s Secon»
» Great Cello Concertos
» The new “little things” »
» Audio clubs in London, T»
Bookmarked are red
Soviet Composers
Glenn Gould Audio Archiv»
Hi-Fi Speakers Design
Classical Composers
Hickok Maintenance
Japanese Translator
Neal's Recordings
Robert Greene’s "Reg on »
Nornan Lebrecht's blog
Austria's Musical Exiles
MetManiac Opera Archive
StateWork Broadcast Reco»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
APR 19 Cantus in Rockport o»
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Altec 515B bass drivers
Sansui TU-X1 Tuner
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Purist Audio Design Pro»
Lamm L2 Reference pream»
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Micro-Seiki Arm Board
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