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» Low output MC?
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» Suggested target curves »
» A quest for a better SET.
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» The Trout - Perlman, Ba»
» High-End Audio as going »
» Tossy Spivakovsky and Tc»
» How to listen High-End A»
» Ways to use audio method»
» About the tweeters phase»
» Links in the Knowledge T»
» The CES's 2011 horns
» Custom made woofers.
» The objectives of Einste»
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» What’s up with these gia»
» An objective tool to tra»
» “Melquiades” amplifier: »
» HELP: I’m a line-level l»
» Monophonic bass: myth an»
» Altec Lansing model 19 c»
» Large La or Tratrix horn»
» Vintage Altec drivers / »
» Wagner and loudness.
» Dynamic range in histori»
» Ultimate Turntable?
» My trip to the Stereophi»
» Remote control - the ult»
» RIAA pole two = 501,12 Hz
» Le C'leach horn rear cha»
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» Adding one more spherica»
» The great pianist Earl W»
» “A” sound from “B” syste»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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REL Precedent 646C tuner
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Altec 808A compression »
Micro Seiki RX-5000
Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
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Electro-Voice T350 twee»
Mid-range tantrix round»
“Tree Blind Mice” colle»
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