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» New paradigm - what an &»
» A proper implementation »
» Relief from micro-arcing»
» The best “Die Fledermaus»
» The mystery of AmpX
» Sound from behind a wind»
» Dream Hi-Eff Speakers fo»
» "Master Quality Aut»
» Attempt of a playback sy»
» Preamplifiers: keys to m»
» What about 220V 50Hz?
» DC offset for A/D conver»
» From bad Opera to good O»
» Do not touch that used t»
» hello cats...meow.
» Paul McGowan. tubes in p»
» To Rip or not to Rip.
» About the thoughtfulness»
» Rightsizing from extreme»
» Alternative driver for W»
» Chesky Records went &quo»
» Gould's Piano
» Today’s SACD - music for»
» Driver Alignment, and Wh»
» The bizarre magnetized 6»
» The “Inverted High End A»
» RIP Pauline Oliveros
» Electrovoice t350 repair»
» What would be left in au»
» Focal-Jmlab – the Utopia»
» The evenings with Greate»
» 6C41C – the journey to n»
» Ravel's Piano Trio; Rubi»
» Make your own horns?
» Buzz/Kill, and The Most »
» Are Any Powerful Amps Wo»
» My Multi-way Horns
» Micro Seiki MAX 282 Ques»
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Wing Records
ElecroVoice’s Vintage Pr»
Great Plains Audio
Vintage EV speakers
Irvington Music
Scriabin's Sonatas
IMSLP Music Library
The Music Parlour
Random Classics
Classical Composers
Direct Heated Rob
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro Seiki RX-5000
LF Transformer for 6C33C
Vitavox AK-15/40 15" ba»
Musatex-TP Bidat 20-Bi»
Ortofon Mono CG 25 Di c»
Musatex’s Bidat Model "»
Lamm Industries M1.1 Mo»
Rohde & Schwarz EU-6201»
Altec 515B bass drivers
Micro-Seiki air-suspend»
Pacific Microsonics Mod»
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