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» A Simple Question (or 3)»
» Avantgarde Trio G3 Louds»
» Magico Mini or Jonathan »
» Suggested target curves »
» Listening to Music with »
» Tedeska Cartridges.
» Help with Math needed.
» Canadian Speaker Proposal
» Transfer: The reel-to-re»
» Trading cable elevators »
» New Horn Speaker Manufac»
» Very in depth considerat»
» Very interesting
» LLoyd Walker Never Rests
» I need a “second-type” p»
» The exaggerated boots un»
» THE Stargazer
» Vitavox and Goodmans Bas»
» 2011 Brucknerathon
» A CD playing audio perso»
» Things to look out for w»
» Do curved corners help???
» Digital crossovers self-»
» Swell New RIAA-Only Phon»
» Pacific Microsonics Mode»
» Transition : Driver to t»
» GM70 vs. 6C33C
» Boulez' LF-Injected Vers»
» Munich High End 2010
» Rhapsody for Tape Record»
» Benz Gullwing and Hi all
» Nikolaj Znaider's play a»
» Wharfedale Super 12/RS/D»
» Tritium Turntables
» Reference Recordings “di»
» A contemporary great CD »
» SME M2
» New paradigm - what an &»
Bookmarked are red
Solid State Electronics
OperaGlass
Eugene Ormandy Pages
Broadcast History
Carlos Kleiber List
Wiener Philharmoniker Di»
Professional Audio Calcu»
Austria's Musical Exiles
Avie Records
Turner Audio
The Air This Week
John Lenard Burnett's si»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
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APR 25 Songs for Peace in D»
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Lamm L2 Reference pream»
Purist Audio Design Pro»
Micro-Seiki air-suspend»
Vitavox S2 Compression »
REL Precedent 646C tuner
Sansui TU-X1 Tuner
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Mid-range tantrix round»
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
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