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» That is not 1812 and the»
» Interesting use of Lunda»
» The Daniel Hertz M1 ultr»
» The tales of two phonost»
» The Mozart’s Dorabella a»
» Chinese upperbass horn.
» Devid Berning amplifiers»
» Micro Seiki RX-5000 stat»
» Platine Verdier Magnum
» Idler Drive - Rumbling I»
» Adding one more non-sphe»
» Where high-end audio sta»
» The Rachmaninoff's large»
» Dennis Colin's Sound Str»
» Why GOTO do not care abo»
» Audiotism: cable elevato»
» SET amplifiers
» Say “no” to the light to»
» Horn length/expansion/gr»
» Power Supplym for driver»
» Preamplifiers: keys to m»
» RIAA pole two = 501,12 Hz
» Do You Really Know How b»
» The Norman Lebrecht’s ar»
» CD Is Dead. CD Is Dead?
» A New Way Forward with P»
» RMAF 2008 observations, »
» So, What's the Story on »
» Mysterious Russian Tromb»
» Surprising: the most int»
» If you were to start fro»
» Metaxas-Wolfson ADC with»
» 43.7 Times the Price of »
» Bach's performing space.
» CEC TL0-X: by no means a»
» Don't position speakers »
» Lamm LP2 phonostage: rev»
» Starting from scratch - »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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