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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Ultimate HF output trans»
» The 68 dipoles imitation»
» Dialog with Industry Rain
» Trinnov amplitude and im»
» Thoughs about “My Playba»
» Micro Seiki SX 111FV Pla»
» Where high-end audio sta»
» A turntable platter as a»
» The evenings with Greate»
» 6E6P-DR in triode mode
» The leather-suspended dr»
» An Afternoon with Gary K»
» How to play mp3.
» Some Observations about »
» The best musical event o»
» About moronity of DIY Au»
» The sound compromises of»
» Where the Horns Light is»
» Copper Mat on a Micro Se»
» Myth: High-efficiency L»
» Boston and Bruckner
» BAAS posting of two raw »
» Digital Voicing
» Mystery of bass horn cal»
» Thoughts on midbass horn»
» CATS Purring tempo, slid»
» Macondo vs Dannoy = Esse»
» An objective tool to tra»
» What is High-End Audio?
» High-end audio: Absolute»
» Wilson Audio and the Moo»
» Arranging my records col»
» John Curl’s new phonosta»
» What Passes for "Sp»
» Nothing to read.
» Sound Quality and “Elect»
» Stephen Hartkel, the goo»
» Maxim Vengerov: Encore i»
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Exponential/Hyperbolic C»
Boston Philharmonic Orch»
Avie Records
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33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 25 Handel’s Ariodante i»
APR 25 Pucicini: Gianni Sch»
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APR 26 Choral Ensemble and »
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Hillock TV-2 tube tester
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