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» About Harry Pearson lega»
» Wagner and loudness.
» Downloadable DSD.
» Macondo's Axioms: Horn-l»
» When the stars aligned.
» Reel Machines :-O
» Magico Mini or Jonathan »
» Etheraudio's some BS….
» About audio Crashes.
» I'm omnivorous... am I i»
» About the life-expectanc»
» Achingly Beautiful Arias
» Elgar conducts Elgar.
» Pro Audio: JBL SR-4735X
» Boston Vinyl Stores?
» Hans Deutsch active acou»
» About rationalism of twi»
» My new “New” listening r»
» Amazon and MP3
» Suggested target curves »
» Klangfilm: actual knowle»
» The period DHT tubes and»
» Compression at WCRB - b»
» Correcting Filters and t»
» The single-ended pretens»
» Samuel Feinberg's Well-T»
» Bach by Ormandy’s Philad»
» Balance
» Audio industry metaphor
» Audio vs. Musical pitch
» An amplifier for Tweeters
» Here's what's REALLY wro»
» Bruckner 9, Transcriptio»
» Artificial Phases Random»
» Lutoslawski’s Concerto f»
» Smetana's Piano Trio
» Building horn onto power»
» How to get a LOT of SET »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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