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» Zebra horns painting?
» A tale of two DACs
» Stunning Resurrection in»
» Multi-amping crossoverin»
» Digital crossovers self-»
» The nature of "soun»
» Can a ultimate playback »
» William Kapell legacy an»
» Tweeters: the most misus»
» I need a “second-type” p»
» Dynamic range in histori»
» Like theese?
» Dreams about Audio
» About “strangeness” of A»
» Russian Orthodox liturgy»
» June in Boston with Earl»
» Kloss 5-way horns setup.
» The fantastic Lucas Deba»
» Bias help
» RIAA pole two = 501,12 Hz
» Truth stretched out via »
» The 68 dipoles imitation»
» The Yevgeny Mravinsky Fi»
» DC offset for A/D conver»
» Taking the mystery out o»
» Artificial Phases Random»
» Belcea Quartet
» The ferrofluiding of com»
» Cogent+Electronluv+Acape»
» Friedrich Kuhlau and his»
» Hi-Fi Mini Systems
» A quote from a Japanese »
» A resistor between scree»
» Italy’s the best: Michel»
» What drives your musical»
» Where are our good Tuner»
» Jonathan Valin shell be »
» Macondo + Milq… very nic»
Bookmarked are red
DaVinciAudio Labs
Delta Entertainment
Michelangeli Site
Solid State Electronics
Adnan Arduman's site.
The Cartridge Database
Jogis Röhrenbude's Site
Dazy Web Labaratory
Unofficial Vitavox Site
Hermann Scherchen discog»
Tin Lee Electronics
Lenard's Opals monitor
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Altec 515B bass drivers
Micro Seiki RX-5000
Koetsu Onyx Platinum Ca»
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Vitavox S2/S3 diaphragms
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
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