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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» How many channels does a»
» New Horn Speaker Manufac»
» Small SET’s bass, beside»
» Faberryman and the CES 2»
» Credibility of digital i»
» The Hand Clapping by Fra»
» Better DAW by a “second”»
» Practical Guide for Back»
» Orchestra of 32 Loudspea»
» Any South/Latin American»
» Fun with transformers?
» Brian Cheney of VMPS
» Today's best turntables »
» Sometimes surface noise »
» My today’s views on LP c»
» Hickok Tube Testers: Qui»
» The Herbert von Karajan’»
» How to USE “Resonating O»
» A phenomenal find: Garvi»
» Bruckner at 24bit.
» The BSO and Digital Musi»
» Basic guide to advanced »
» Big room vs small room
» Kevin Brooks Acoustic Sy»
» Phase plug for midbass
» Wet/Dry ™ configuration »
» RIP, Joan Sutherland, &q»
» Best recording I heard i»
» Stupid SME question abou»
» Micro Seiki DD30 Headshe»
» Amplification and Consci»
» Transition : Driver to t»
» Macondo’s MiniMe or abou»
» A littlie D-War: Bidat v»
» 5-ways from Speedysteve7
» Middle step (non ultimat»
» Koussevitsky and La Mer
» DIY Firefly Horns
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Composers Forum
Rachmaninoff Photos
Classical Music Streams
Lied and Art Songs
Tchaikovsky's Compositio»
Silent Running Audio
The Gustav Mahler Board
Lenard's Opals monitor
Hughs Ominous Tubes
Berkshire Record Outlet
Dan Lavry's Forum
Tempo-Electric - Arthur »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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