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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» If you’re multiamping th»
» My CES
» What you folks got for B»
» 23Hz mono horn project.
» Drama vs. Chic
» Tube GU-29
» A listening room for a d»
» Universal VTA adjustment.
» Plugin for drawing segme»
» Any good sounding AES/EB»
» Memories of audio elemen»
» Ortofon MC Anna cartridg»
» The ULF cannel for my ne»
» Micro Seiki Armboards: I»
» Chicago Horn Loudspeaker»
» Incorporating active cro»
» Andrew's new 4-way horn »
» Focal-Jmlab – the Utopia»
» My first audio show. Hmm»
» How to give bats a heada»
» Too damn loud?
» Artificial Phases Random»
» Prom 22 - if only all or»
» Sound Quality and “Elect»
» Valve Preamplifier for M»
» Terminal Velocity? Smart»
» Tchaikovsky's Nutcracker»
» Like colourful contrasts»
» Paganini's Daemon : A Mo»
» Bad orchestras shell not»
» High-End Audio and.... &»
» Don Quixote BSO Live tod»
» ... and some Bruckner bu»
» The UnipheyeMusic and St»
» Today’s SACD - music for»
» Beethoven PC 5 Surprise »
» The 5-ways from Germany.
» Story of my discovery - »
Bookmarked are red
Professional Audio Calcu»
Rachmaninoff Society
Neal's Recordings
Lenard's Opals monitor
Dr. Bruce Edgar Interview
Glenn Gould Audio Archiv»
The Leonard Cohen Files
ElecroVoice’s Vintage Pr»
Tahra Records
Adnan Arduman's site.
The Air This Week
John Lenard Burnett's si»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Koetsu Onyx Platinum Ca»
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Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Hillock TV-2 tube tester
Micro-Seiki air-suspend»
Vitavox S2/S3 diaphragms
Mid-range tantrix round»
Lamm ML-2 Single-Ended »
Micro Seiki RX-5000
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