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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Micro Seiki MAX damping
» A great production of th»
» Aimez-vous Bartók?
» Truly a new use of high-»
» About HF Binaurallism
» Another problem in my ne»
» Midbass impedance bumps »
» Dedicated horn loaded mi»
» Playback and Perception »
» An idea of Individual Re»
» Don't evaluate audio by »
» Steinway and Lyngdorf lo»
» Reference Recordings “di»
» Playing bad recordings u»
» "SOTA Technology&qu»
» An interesting Russian p»
» A full-range driver = C»
» Bose audio and industry »
» Mid Bass horns help with»
» Anyone know this horn fl»
» How to play Mahler 7 at »
» The Norman Lebrecht’s ar»
» How many Bits needed for»
» A lucidly implemented di»
» Bach and kids…
» Resonating hi from overs»
» Designing and building a»
» Omni-directional 'horny'»
» The "anecdotal"»
» Inside views of "me»
» Analog: a reduction of s»
» Maxim Vengerov: Encore i»
» HD Radio? Good, bad or u»
» Dick Burwens "low c»
» The sound of Concert Hal»
» Some Orchestra on Demand»
» Macondo – Super Melquiad»
» Reflections pattern in C»
Bookmarked are red
The Music Parlour
Linkwitz's "Laboratory"
Audio Perfectionist
Music & Arts
Direct Drive TT
Thomas Dunker's Site
Nornan Lebrecht's blog
Dr. Bruce Edgar Interview
WGBH alumni
MusicWeb
Cedille Chicago
Altec divers/horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Danish String Quarte»
AUG 1 Light & Shade in Var»
AUG 1 Mozart: The Marriage»
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REL Precedent 646C tuner
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Korvet “Egg” Tonearm
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