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» Seven hours of live musi»
» Good commercial speakers
» The dynamic range of our»
» A great article from Pet»
» How to play Bruckner Sou»
» S2 Hissing Sound
» Beware of the monophonic»
» Woman conductor?
» NASA Reverberant Acousti»
» Excerpt: Beethoven Cello»
» A passive but elegant pr»
» Chostakovich: Concerto »
» A beautiful miller's dau»
» It's might be anothe»
» Editing your own posts
» High-End Audio: buy vs. »
» “How audio might sound”
» The Hannes Kastner’ Tocc»
» Electrostatic Sub Horn
» Attention Sound Engineer»
» Time alignment of drivers
» Bach by Ormandy’s Philad»
» Micro Seiki MAX 282 User»
» Middle step (non ultimat»
» 2+3 surround sound??
» John Luther Adams's Beco»
» Some Audiogon realty
» Musique Concrete horns
» Minusk: a new Vibraplan?
» Hemp SR plug and listeni»
» A weekend of treats by B»
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NPR's SymphonyCast
Clemens Krauss Archive
Vladimir Lamm Site
Professional Audio Calcu»
ElecroVoice’s Vintage Pr»
Wood Horn Speakers
Direct Drive TT
Input Choke & Resonant C»
Wing Records
Boom's Dungeon
Max Robinson’s “Fun With»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
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AUG 3 Chamber Music in Woo»
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