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» Scientific vs. audio act»
» Custom made woofers.
» Bach and kids…
» EMIA Phonostage.
» About Single Driver Spea»
» Speakers: a hi-fi disast»
» Rullit Aero-8 driving – »
» Lamm ML2.1 "No long»
» Bahnsen Horns + some fre»
» Multiple EQ curves of A»
» From Newton to Einstein
» How Piazzolla should sou»
» Tanglewood Music Center »
» The new FM Classical sce»
» Super Melquiades Amplifi»
» George Orwell and loudsp»
» Closer to the musicians »
» Electro-Voice T350, T35,»
» 5 way system in the UK
» Credibility of digital i»
» Taking the mystery out o»
» Editing your own posts
» The 6E5P tube data.
» The audiophile’s stupid »
» Like colourful contrasts»
» Sibelius VC; Furtwangler»
» Joseph Haydn, Six Esterh»
» 250 watts Parallel S.E. »
» Shall quality-price be r»
» Mystery Horn ? ? ? anyon»
» Does horn surface porosi»
» The “Wet and Fuzzy” cabl»
» Make Your Own Horns
» SET and speakers: disreg»
» "SOTA Technology&qu»
» The UnipheyeMusic and St»
» A quote from a Japanese »
» The commercial music ser»
Bookmarked are red
Lenard's Opals monitor
Pristine Audio Direct
Joachim Raff Society
Exotic Audio
Rachmaninoff Photos
Phil Mundi Audio Pro Med»
Tuner Information Center
Alexander Karpov’s “Next»
American Broadcasting
Input Choke & Resonant C»
The Thiele-Small Loudspe»
The Cartridge Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
Micro-Seiki Arm Board
Conscience of audio rev»
Vitavox 330Hz Horn for »
Micro-Seiki air-suspend»
Sansui TU-X1 Tuner
Electro-Voice T350 twee»
Musatex-TP Bidat 20-Bi»
Micro Seiki RX-5000
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