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» Russian mythology and Ho»
» Stage Music: get clew.
» Wilsons, EMM, Ozawa, Sa»
» The New York Philharmoni»
» The dynamic range of our»
» Better DAW by a “second”»
» Swell New RIAA-Only Phon»
» An amplifier for Tweeters
» 12AX7 or?
» Chicago Lyric Opera on W»
» Richard Wetz and Martin »
» SS Power Amps - the FoxN»
» PCM63 DAC with Transform»
» Orphean horns of bd desi»
» Stop having a fear of ho»
» Tweeter for Vitavox S2. »
» Trinnov amplitude and im»
» Constant directivity = c»
» Software for collection »
» Denouncing of idea of Ba»
» Brahms' Magelone Songs
» What is interesting abou»
» "SOTA Technology&qu»
» The “sounds” that I am l»
» Something that a loudspe»
» Rohde & Schwarz EU-6»
» Schimmel's Voxativ Ampeg»
» From Newton to Einstein
» Macondo – Super Melquiad»
» Borbely Audio Take on 6C»
» Passive line level cross»
» What is wrong there and »
» A random neutralness
» Neumann Dummy Head.
» About my listening habit»
» In Praise of Infidelity »
» The great Corus performa»
» HELP: I’m a line-level l»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
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Micro Seiki RX-5000
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Lamm L2 Reference pream»
Musatex-TP Bidat 20-Bi»
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