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End of Life Phonostage
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» The “better speakers” to»
» RCA’s Sound And The Story
» The stunning “The Magic »
» Object-oriented audio re»
» Do not “compare” audio e»
» Has anyone ever seen the»
» Bravo Brahms, Bravo Wand»
» Abbado + Lucerne Festiva»
» The "anecdotal"»
» Passive transformer base»
» The 'nature' of said rea»
» Despicable me
» SCAM! Horn - Academy Phi»
» Tchaikovsky Symphony #4
» The foolishness of multi»
» Some nice horns from Gre»
» Boston and Liszt’s Secon»
» Kloss 5-way horns setup.
» Shelter 901iii or 90c ca»
» Who makes horns? Archite»
» Where is the real Russia»
» Shock-absorbing tube soc»
» A single worst thing in »
» Dunlavy SC++ loudspeaker»
» Why Hight-End Audio, as »
» The New Year Concerts wi»
» About DSET-driven multi-»
» Rachmaninoff, PC 3; Kond»
» Shi-Yeon Sung and BSO
» New paradigm - what an &»
» A CD player of today… 20»
» THE Show, Irvine 2018
» Natalia Gutman (!) in Bo»
» An educational Eugenie’s»
» Shaky tubes, echo testing
» The commercial music ser»
» Does high-sensitivity sp»
» Macondo vs Dannoy = Esse»
Bookmarked are red
Pianist Yakov Kasman
Composers Forum
Avie Records
OperaGlass
Louis Speichler's Records
Technical books online
ECC99 - 6C33C SET
Truesound Transfers
Art Songs and Librettos
Jogis Röhrenbude's Site
Alexander Karpov’s “Next»
Norman Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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