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» Gould's Piano
» The tapped horns: cons, »
» Perspective?
» Idler Drive - Rumbling I»
» EnABL: Just a note to aw»
» Custom made woofers.
» Melquiades: too early fo»
» Mini A7
» What to do in England?
» The mystery of AmpX
» The best speaker in the »
» Integrated sound field o»
» First Order on Bass chan»
» DAW is down… new DAW.
» Playback and Perception »
» I do not know what else »
» The single-ended pretens»
» The “sounds” that I am l»
» Cool running AB amplifie»
» hello cats...meow.
» About DSET-driven multi-»
» Emmerich Kalman (1882-19»
» Bruckner, me and the Sev»
» Panel with Peter Qvortru»
» DIY multicellular horn
» LLoyd Walker Never Rests
» How to USE “Resonating O»
» Audio-tekne's "Tone»
» Amplification and Consci»
» Yamamura's 6 ways
» Western Electric reprodu»
» Strings reinforced sound»
» The period DHT tubes and»
» Beethoven's Triple Conce»
» Audio critique – open yo»
» Beware of the monophonic»
» All Active! A DSET and m»
» The A=432 Hz Frequency
Bookmarked are red
WGBH alumni
BostonSymphony's Channel
The Handelmania Podcast
Pjay's Speaker building »
Vincent Brient's Sit
Jim Moskowitz's Unknown »
Japanese Translator
Ward Marston's "Marston"»
Rachmanionoff's links
Vintage EV speakers
Audio Spot Kamani
The Thiele-Small Loudspe»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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