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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Upper-Sound of Upper-Imp»
» A sort of DPOLs
» Midbass Horns and Real E»
» Electrostatic tweeter fo»
» Auro, reverb injection, »
» Crossover Design
» Vitavox ak151 in klipsch»
» 12AX7 or?
» Tossy Spivakovsky and Tc»
» Does high-sensitivity sp»
» What you folks got for B»
» About the audio Sources.
» A littlie D-War: Bidat v»
» Compression at WCRB - b»
» Open cell foam in horns »
» Crash course on horns an»
» The meaning of lowest oc»
» High-End Audio and..... »
» A contemporary AD1 Triod»
» Magico Model 6 loudspeak»
» D'Agostino/Momentum SS M»
» The cut or not to cut, t»
» My playback: what is nex»
» Do the Filament Transfor»
» Dvorak/"Dumky"»
» A right midbass solution»
» Do not buy Brand and Mod»
» Dvorak Cello Concerto in»
» Those little headphones…
» JBL LE8
» The Brain Inertia.
» Rachmaninoff’s Symphony »
» Our Fuzzy Pussies, Audio»
» Think ahead how to measu»
» AMR PH-77: just another »
» Yarlung Records at 24 bi»
» The nature of "soun»
» Some thoughts about bass»
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Opera America
Solid State Electronics
Duke Classical
DaVinciAudio Labs
Subito-Cantabile
Russian Records
GEMM catalog
Doremi CD label
Tuner Information Center
Dazy Web Labaratory
Electron Tube Data sheets
Russian Music in 20th Ce»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
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Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
Altec 808A compression »
Conscience of audio rev»
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Micro-Seiki air-suspend»
Micro Seiki RX-5000
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Hillock TV-2 tube tester
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