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» Aimez-vous Bartók?
» It is possible to elimin»
» Playback and operation o»
» Romy, how does the origi»
» Looking to brainstorm st»
» A better way of approach»
» Monophonic bass: myth an»
» Micro Seiki SX777 Air Re»
» The Church of Denon 103C
» My first audio show. Hmm»
» Beware of "Higher F»
» Wich melquiade?
» Aporia - Silbatone Acous»
» Coral x-viii
» Mr. Kleen Stylus cleaner
» My subject of envy to au»
» A fresh take on 9th by t»
» High-End Audio vs. High-»
» Bach Piano Concertos, 1,»
» The best Third Movement »
» Open Baffle Speaker Desi»
» Tube GU-29
» “Melquiades” amplifier: »
» EMI rollercoaster across»
» Bermuda Triangles of Aud»
» Tractrix Bass horn vs Sp»
» 5-ways from Speedysteve7
» Asyncronus USB
» About dymick sparkling.
» You Can Play the Record,»
» New nanotube speaker tec»
» RAAL “Water Drop” tweete»
» Hiroyasu Kondo: “My thou»
» RMAF 2008 observations, »
» Good midbass is complica»
» A ridicules speaker cable
» Playing bad recordings u»
» A very good horns system.
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The Music Parlour.
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Linkwitz's "Laboratory"
Phono EQ
Aria Database
Orchestra of the Age of »
Audiofederation's Blog
Jogis Röhrenbude's Site
NPR's SymphonyCast
The Leonard Cohen Files
The Cartridge Database
Tubecad publication
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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