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» The WHRB’s Orgies period.
» Constructing LF modules »
» Driver Alignment, and Wh»
» A[nother] Cautionary Tal»
» Short midbass horns
» Better DAW by a “second”»
» How we "think"»
» Speakers: a hi-fi disast»
» How to make a music pers»
» New paradigm - what an &»
» Explain TAD ET-703 drive»
» "Master Quality Aut»
» A slightly crazy idea fo»
» Today: Rachmaninoff in A»
» Got new mid/high horns. »
» Multicellular horns
» ELROG tubes sinked but s»
» I need some advice and d»
» Bliss
» Chinese upperbass horn.
» My Analog Playback: the »
» Polish Autotech steps up»
» Anyone Care to Make Odds»
» New Motor for an Old Sot»
» A stunning Beethoven’s “»
» Trinnov amplitude and im»
» Musique Concrete horns
» Think Denk and op.106
» Julia Fischer in Boston »
» Hildegard von Bingen on »
» Dream Hi-Eff Speakers fo»
» “How audio might sound”
» Vitavox’s S2 Survival Gu»
» 3.5m Tractrix Horn Proje»
» The best musical event o»
» About the Audio Neutrali»
» Macondo’s lowest channel.
» Computer Audio - like ev»
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Wing Records
Joachim Raff Society
JPC CD Store
Avie Records
Ron Penndor's Recollecti»
Alexander Karpov’s “Next»
Willem Mengelberg discog»
Michelangeli Site
Phono EQ
Music & Arts
Takashi Asahina Group
DaVinciAudio Labs
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Altec 515B bass drivers
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Koetsu Onyx Platinum Ca»
Micro-Seiki Arm Board
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Purist Audio Design Pro»
Micro Seiki RX-5000
Sansui TU-X1 Tuner
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Ortofon Mono CG 25 Di c»
Korvet “Egg” Tonearm
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