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» Callas and Tebaldi Compa»
» Macondo – Super Melquiad»
» Roger Waters' Ça Ir»
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» The Verklarte Nacht with»
» Children's playground in»
» Copper Mat on a Micro Se»
» How the things are getti»
» Mahler 3 and BPO.
» What is it all about? De»
» Electrostatic Sub Horn
» Beethoven PVC Trio, Opus»
» LPs & CDs Storage.
» High-End Audio, how to »
» The Lieberson’s Neruda S»
» Anyone know this horn fl»
» Lamm hybrids: M1.2 vs. L»
» The best musical event o»
» A Cardboard Effect.
» Tweeters: the most misus»
» Turntable Design
» Valve Technology Timeline
» Making it sing...
» If you are in Bruckner: »
» The best Third Movement »
» Problems with horns: twe»
» Srajan, 6Moons, sex indu»
» SET and speakers: disreg»
» My Audio "Reviewing»
» Ultimate Turntable
» Targeted Audio Listening»
» John Cage about silence »
» MF on AF2, and (perhaps)»
» NOS Wagner move - what i»
» Attention Sound Engineer»
» Bach's performing space.
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Hermann Scherchen discog»
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Exponential/Hyperbolic C»
Dr. Bruce Edgar Interview
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Altec 808A compression »
Lamm Industries M1.1 Mo»
Rohde & Schwarz MSDC Mu»
Electro-Voice T350 twee»
Stage Acompany SA8535 d»
Musatex-TP Bidat 20-Bi»
Kenwood L-02T FM Tuner
Korvet “Egg” Tonearm
Sansui TU-X1 Tuner
LF Transformer for 6C33C
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